A Quote by Ray LaMontagne

When I pick up the guitar, it's a melody, and that's what drives the lyrics. It's bits and pieces of truth, but it is storytelling. — © Ray LaMontagne
When I pick up the guitar, it's a melody, and that's what drives the lyrics. It's bits and pieces of truth, but it is storytelling.
Sometimes melody and sometimes lyrics. It depends on the tempo and feel of the song. Slower pieces usually begin with melody and faster ones with lyrics. I write for the song and it leads me to my conclusion.
At times I have a beat first and then I write. Sometimes I have a melody in my head and I pick up the guitar to develop the song. Other times I just write without any melodies, and I end up using those lyrics when I think I have the appropriate instrumental that would bring out and depict the emotions of what I have written.
I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.
When people get up on the stage and say, "I've got AIDS," or "I'm in recovery," gosh, it's hard for them. It's like that story touches every person's story. You know, they open their entire humanity up. Storytelling is very important in life. Telling the truth is critical. It's like, again, the melody. The melody of jazz music is the truth, for me.
Usually what I do is I write my vocal melody over guitar parts and then I come up with lyrics.
I work in bits and pieces. When I'm touring it's difficult. After touring, when I have space and time, it's a process, something I've been doing since I was 10 or 11 years old. I collect lyrics, melodies, bits and pieces, and finally it all comes together. It's hard to say - I've been trying to figure out how the process works.
Lately I haven't been able to write for the guitar - it'll usually start out with a melody on the bass, and I'll layer vocals. I just can't really physically hear the guitar anymore, so I'll just go into GarageBand and play around with the keys. I'll sit on a melody or some lyrics for a really long time and just play with it.
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
Hunter can write a melody and stuff like that, but his forte is lyrics. He can write a serviceable melody to hang his lyrics on, and sometimes he comes up with something really nice.
Do I start with the lyrics? No. Quite honestly, it's the opposite. I generally get the melody first - I kinda fiddle around on the guitar and work out a melody. The lyrics are there to flesh out the tone of the music. I've tried before to do things the other way around, but it never seems to work. Obviously, I spend a lot of time on my lyrics, I take them very seriously, but they're kinda secondary. Well, equal, maybe. I think sometimes that if you write a poem, it should remain as just a poem, just... words.
We pick up the lost bits and pieces, from the grass where we left them, and bring them with us into a future that will be made up of so much more as well.
'Appetite for Destruction' was the only thing written with lyrics and melody fitting the guitar parts at the same time. After that, I got a barrage of guitar songs that I was supposed to put words to, and I don't know if that was the best thing for Guns.
I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
I hope nobody is seriously suggesting that we get our morals from scripture because if we did we'd be stoning people for working on the Sabbath or switching on a light on the Sabbath. So the point is that you can find good bits of the Bible but you have to cherry-pick, you have reject the nasty bits and pick the nice bits.
I'll only pick up my guitar if something is knocking on the door. Once the melodies have sort of been bothering me for a time, then I pick up my guitar and try to find them. But only if they want to be found.
I've actually had a melody on my guitar since the day I learned how to play it, back when I was 7. And for some reason I can't add lyrics to it.
This site uses cookies to ensure you get the best experience. More info...
Got it!