A Quote by Ray Liotta
I've done a few movies where I really liked the project, but I wasn't sure about the director, and I still did it and my instinct was right, in the beginning. Even though it was a good story, the guy still didn't really know what he was doing.
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Bill [Condon] is such a great actor's director. He cares about what you're thinking. And, he's very open. Even though he was pressed for time, and he was doing two movies at once, and all this stuff was happening around him, he would still take time to sit there and talk to you about your scene and your character and what you were going through. That was really a treat.
Where you really have your eggs in one basket and that breach happens and you know you should go but you're still in love and you just don't know what to do. It hits you because it's not like -- you're a cheater, and a liar, and I hate you, and you're no good, and I'm leaving. It's not that. It's like, I'm tormented. Even though you've done this and I know it, I still don't know what to do. I know I should go, but I don't want to. And that's why it's such a f***ed-up thing.
Even though it's become a really cliched thing to see musicians working for charity, it's still effective and it still has to be done.
I chose the American ones, more or less the last five years of the silent era, because those are the ones that aged the best in the way they tell the story. One, it's about human beings with context. It's a very classical story with feelings, with laughter, melodrama and it really works, the good ones - Murnau's American movies, John Ford's Four Sons, King Vidor's The Crowd, or the (Josef) von Sternberg movies. You can watch it now and it still works. I mean they are really, really good pieces so this is where I tried to work.
When I was younger I didn't really know what a director did: I knew I loved movies and I figured the actors made it up! And then when you get to 12 years old you start thinking, What does a director do? It was really an organic beginning: this looks like something I want to do, I can't believe people get paid to do it!
I still feel lucky whenever I hear a director say, "Action!" Because then I think, "Whoa, I'm really in the movies. This is a real thing happening." I've never not been enthralled by that. I still love it. I still love hearing it, and I feel really lucky all the time.
No matter how extreme things get, it still has that ring of truth about it that backs the characters - even though they're despicable and what they're doing isn't right you still care for their fate.
I read a story about some old opera singer once, and when a guy asked her to marry him, she took him backstage after she had sung a real triumph, with all the people calling for her, asked, 'Do you think you could give me that?' That story hit me right, man. I know no guy ever made me feel as good as an audience. I'm really far into this now, really committed. Like, I don't think I'd go off the road for long now, for life with a guy no matter how good. Yeah, it's the truth. Scary thing to say though, isn't it?
most Americans are in deep awe of things-as-they-are. Even with everything this obviously out of control, they still tell themselves that those in authority must know what they are doing, and must be describing our condition to us as it really is; they still take it for granted that somehow what is, what is done, must make sense, can't really be insane. These assumptions exercise a tyranny over their minds.
I don't follow anything that's said about him much, but the Uwe Boll that I know is just a really cool guy. He's just a really quiet, kind and passionate filmmaker who really believes in what he's doing. Like any director that an actor wants to work with, you want a director who's passionate and believes in the work that he's doing.
I watched a lot of movies from all over the world. The Russians were very good at editing. They were specialists in editing. The Man with a Camera, if you know that movie, is incredible. I still don't understand how it works. It's a movie with no script, no actors and still it works. It's really good. It's really about editing.
I'm still learning. I've never done a digital project before. And I'm pretty sure I did things to the software that weren't supposed to be done.
I mean, I really liked those guys and the experience of doing Raiders was really good for me, but I did not really want to be involved - I only did Jedi, as I really owed George a favor.
I love Hitchcock's films because even though you knew who did it right at the beginning, he still kept the audience engaged till the last frame.
I knew the big following 'Stranger Things' had, and I really liked the show, but even if I hadn't known what the show was, I still really related to the character, and I really liked the material.
There's always people out there that's like, doubting me, you know what I mean? Even though I do embrace the people that embrace me and I'm grateful for them. But I always feel like, man, there's still people out there that's not giving it up. And I feel like I'm doing everything the right way, you know what I mean? I'm really going out of my way to do it the right way. I'm taking very few cheats - very few cheat codes that I'm using.
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