A Quote by Ray Liotta
I would like to do a lot more of it, I feel comfortable with it and basically it's all in the writing. I'm not a personality type actor, I need a good script in order to be funny, but it's definitely something that I like doing.
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I know what I look like. I'm not a babe who's automatically going to be the leading-lady type. I think I would always be cast as the friend. I probably tend to look crap more often than I look good. I like messing around and pulling funny faces and doing funny walks.
When you hear Treat's [ Williams] doing a movie, or you'd like to work with Treat again, you hope the script is good. And then you find out the script is good. You go and you do it for the fun of it. And you feel like you can be proud of something.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
When you're, like, writing a Python script, it doesn't feel like you're doing something to someone. You just don't think, 'How could this actually harm people?'
There's a rhythm to script [ in "I Don't Feel at Home in This World Anymore"], as well, especially the pacing of it. But there definitely were times when I would say something and [ Macon Blair] would say, "I didn't think to deliver it like that" or, "I didn't think it had that meaning." And he'd say, "I like it. I think it's good." So he's open. He's not battering it into you.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
Sometimes I say I feel more like a dancer than an actor, because there are things implied about being an actor that I don't really like. I feel more comfortable with the word 'performer'. I like being the thing. I like being the doer. There's a factualness to it. And then certain resonances happen out of how you apply yourself physically.
When I meet a good actor, I would like to be a director. When I meet a good director, I would like to be an actor. When there is a good script, I would like to be both a director and an actor. The switch is very natural, not intentional.
But it still feels like it's a reach for me. I am more comfortable doing a drama. I feel like I know what I'm doing a bit better there. But it's good to be scared.
I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.
There are definitely reasons to do certain things, but I like to stick to good director, good actor, good script.
Good shows tend to be more fun to do. If you feel like you are doing something good and making a good show, it is a lot more enjoyable.
I really don't have a type. I never had a type. If I could put them all together, it's, like, the most different grouping. So I love when guys are funny. I love guys that are funny and goofy and over the top. And you know, I really like personality.
In a lot of senses, things are definitely changing in my life, and with what's going on around me. But I still feel like the writing process is as intimate as it as before, if not more. Because I need my time more than I had before.
If the script's good, everything you need is in there. I just try and feel it, and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorizing rather than being real. Maybe every other actor would think that was terrible, I don't know. But it seems to have worked for me, so far.
A lot of shows are more script-driven, like a prose script. As an actor, you never see a storyboard.
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