A Quote by Ray Liotta
When I read Copland, I really wanted Stallone's part.
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I read the books and I really, really wanted to play the part. I started kundalini yoga, kickboxing and running, and completely changed my diet. I felt I wanted to undergo what was necessary for the part. I love a challenge. And I love defying limitation, gender stereotypes and people’s expectations of me as an actress.
I knew that Sylvester Stallone's involvement would outweigh everything else from the film. I think people went into Creed expecting a boxing movie and something that superficially ties Stallone in, but Creed was really well written.
There was definitely a pecking order, and when Stallone walked in, we were like, "All hail!" He came in with his big forearms, pointing and telling everybody where he wanted the cameras with his big cigar ablazing, and you just go, "This is Stallone!" with admiration, because none of us would be here without this guy. That's the thing, he changed movies forever
I also really loved the friendship between these two women, and watching these two very different women working in this gritty male environment. That was really the reason that I wanted to be a part of it. And, I went in and met with the producer and the director that did the pilot, Mike Robin, and read with them. And then, I did a read with Angie Harmon, who was already cast. From the moment we read together, it just clicked. It was as easy as that.
For me, I wish I loved every script that I read. Sometimes I'm more picky and choosy than I really should be because you would get more jobs as an actor! But you don't know what it is. Sometimes you read something and it could be a big part or a small part. It could be one scene and I'll read it and say: "Wow, I really like that and I really want to do that.".
You know that you're part of a Spielberg production when you've got some aliens involved, but you really know when you're sitting there at a table read, and they say, 'Steven really wanted it this way.'
To make a long story short, I auditioned for the role of Piper because I read the pilots every year and this show was head-and-shoulders above any pilot I've read in awhile. It was amazing. So, I read for Piper and I knew that I wasn't really right for it, but I loved it so much that I wanted to read for it.
I wanted the audience to write stories and then read them out if they wanted to. It's always the best part of the show because people are so imaginative.
I read for 'Reservoir Dogs,' and it got down to me and Buscemi, and Quentin couldn't make up his mind. I really wanted that part, but Buscemi is great in that. I also got really close on 'Gladiator,' but Ridley Scott decided on Russell Crowe, who's perfect in it.
I grew up watching 'Rambo' and 'Rocky' and all of those movies, so you have a surreal moment, even as an actor, when you're in front of these guys, whether it's DeNiro or Stallone. You have a moment like, 'Geez, that's Sylvester Stallone,' and then you have to snap out of it and get back in the pocket of the character.
In junior high, I really wanted to be popular. Suddenly there were parties with boys, and I wanted to be part of that. There was a group of girls, and I wanted to be friends with them.
I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.
I remember being in the public library and my jaw just aching as I looked around at all those books I wanted to read. There just wasn't time enough to read everything I wanted to read.
I really, really wanted to write. I loved language. I loved literature. I loved reading. I never read a foreign language, I'm afraid, but I loved Flaubert. I loved the 19th-century classics. I love Thomas Hardy. I wanted to be a goof on a bus, but I wanted to write more.
'MotherFatherSon' was just an extraordinary read and I wanted to be a part of it.
I think the whole nostalgia for the forty year gap for [Sylvester] Stallone was bigger than the movie [Creed], but it's good because the movie still gets recognized with Stallone's involvement. I'm sure the director [Ryan Coogler] is still proud of his film, but it's very hard to nominate a director.
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