A Quote by Ray Manzarek

The Doors really were a band of potheads. — © Ray Manzarek
The Doors really were a band of potheads.
There were some hardcore fans who thought I was ruining the band they loved. And now there's this document, 'The Doors Unhinged,' which, hopefully, they'll take away that I was trying to preserve the band they love and its legacy.
The Doors were successful. It was Jim Morrison as the centre and the figure and the spokesman, the figurehead, but we were all into the same thing. That's why we were a band.
I thought The Doors were the greatest band for a while.
I said that the only way I could have a band that would work in the format of my show is if the band were crap. So if I have a band they'd have to really suck.
I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.
I remember being inspired by this band Godflesh, actually. They were a really heavy metal band, really nihilistic.
Part of your process of becoming an adult is admitting to yourself that The Doors were a shitty band.
I met The Beatles while we were playing in Germany. We'd seen them in Liverpool, but they were a nothing little band then, just putting it together. In fact, they weren't really a band at all.
Everyone knows that quote because of the Doors." Jace looked at her blankly. "The Doors. They were a band." "If you say so," he said. "I suppose you don't have much time for enjoying music," Clary said, thinking of Simon, for whom music was his entire life, "in your line of work." He shrugged. "Maybe the occasional wailing chorus of the damned.
When the band were really big and we had massive hits, I was always stressed-out and insecure. I thought I wanted the band to be really popular, but when that happened, there was so much pressure to keep it going.
I'm seeing myself as an outsider a little bit - definitely when I started the band. I knew what band's name meant and nobody else really did, so I'd be on stage every night and say, "Hello, we're Art Brut" - basically saying that we were rejects. But I mean, I didn't really sing, it did feel a bit like we were outsiders. It was a bit tongue-in-cheek when I first named the band that, but then we slowly turned into that - like a self-fulfilling prophecy.
There were doors that looked like large keyholes, others that resembled the entrances to caves, there were golden doors, some were padded and some were studded with nails, some were paper-thin and others as thick as the doors of treasure houses; there was one that looked like a giant's mouth and another that had to be opened like a drawbridge, one that suggested a big ear and one that was made of gingerbread, one that was shaped like an oven door, and one that had to be unbuttoned.
I really liked Deadheads and the whole Dead concert scene: the tailgating, the tie-dye uniforms, the camaraderie it was like NASCAR for potheads.
I still love 'The Cure' more than almost any other band. But they were really, truly like the first band that I really loved and felt was mine, you know. At a pivotal time in my life when I was 13, 14 years old.
Michael Sunday and I are the original members of the band. We first did it just for charities and benefit concerts. It was very ad-hoc, and before we knew it, we were really a band. We went through several drummers and guitarists before we were happy with the line up.
We really broke down some doors for women and for musicians in general. It was just go out and form a band and don't care what anyone thinks.
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