A Quote by Ray Manzarek

I thought we were gonna open up the world of poetry and music to all kinds of things, and yet, I can't really think of anyone who's done anything like it since. — © Ray Manzarek
I thought we were gonna open up the world of poetry and music to all kinds of things, and yet, I can't really think of anyone who's done anything like it since.
Funny thing is, we've never really had a stylist. We had this style, and the label that we're signed to loved it. And I actually thought they were gonna hook me up with all kinds of cool clothes. But they were like, "No, no, no! Your leather jacket and your skinny jeans is exactly what you want." Aww, dude. I thought you were gonna hook me up!
I don't tell anyone what they should do (drugs). It's like this music is so full of power and energy you don't really need to take anything if you just open up and let the music take you.
I'm a producer/rapper, so I feel like I can do anything. I can do all kinds of music. I've done all kinds of music, and I'm good at it.
I'm a producer/rapper so I feel like I can do anything. I can do all kinds of music. I've done all kinds of music and I'm good at it.
The world in books seemed so much more alive to me than anything outside. I could see things I'd never seen before. Books and music were my best friends. I had a couple of good friends at school, but never met anyone I could really speak my heart to. We'd just make small talk, play soccer together. When something bothered me, I didn't talk with anyone about it. I thought it over all by myself, came to a conclusion, and took action alone. Not that I really felt lonely. I thought that's just the way things are. Human beings, in the final analysis, have to survive on their own.
I keep my ears open. The world can change overnight; that's what happens in this world. You never know. You have to keep your eyes and ears open. If you can't keep up, you ain't gonna catch up. I've been making records since 1953, and you just have to keep up.
I don't know where genre really comes from. I grew up with parents who were artists, and I was always interested in what music they were listening to and open to all kinds of genres. So it's nice to see that whole families come to my concerts. I like having an element in my music that is inclusive rather than exclusive, without being pop for the sake of it. It's not important to me how many people listen to it - it's more wonderful that it brings people who wouldn't usually meet into the same room.
I think rap music is rap music. I mean, are there heavy writing aspects of it? Absolutely. In a sense, is it poetry? Yeah. I've heard that so much, growing up in a house with poetry. But I think people like to use that as a shortcut for who's good and who's not. It's like the word 'lyrical' - 'lyrical' is the worst word in the entire world.
A priest once said to me, 'Think of a priest going to the altar as you walk out on the stage.' I would hate to think that anyone thought I was coming to preach. But art and music open up things that you can't put into words. It's about bringing joy when you go out there.
There were actually times where I thought, 'Do people even remember us? Are people gonna be interested in hearing what we put out next?'And, you know, there were times I felt like, 'Are there going to be people out there waiting for this record?'. So we kind of live in a bubble, in a sense. We're very closed off to that whole world of thinking about those kinds of things.
Be yourself and do what you actually like doing as an artist. Don't try to think too much about where am I gonna fit in here, and how is this gonna be received, and who is gonna like this? Just do what you like doing and make sure that you enjoy doing it. If you do that and you get good at it by practising, then people are gonna come around - there's so many people out there that listen to all kinds of music. It's important to just do what you like, otherwise the fun gets sucked out of it.
I don't think anyone thought showbiz people know anything. I would suggest interview subjects, were told they weren't such great ideas, and then they would be assigned to somebody else. I wasn't given anything to do. I felt like the highest-paid dress extra in the world.
I think that ultimately, when you create music that is proper music, then it becomes fundamental and anyone can relate to it or connect to it. When done properly, the language doesn't really have anything to do with it. It's actually the music as a whole. When it is speaking truth, everyone can relate to that on a fundamental level.
I love all kinds of music. My dad's from London, so he loves David Bowie, the Stones, The Clash. I grew up with that influence while loving poetry and loving all kinds of current music.
We're living in a time when pretty much anything can happen in the music world. There are a lot of musical languages in which people work. When I think of common practice I think back to the time I was studying the flute, where I learned that in the Baroque period many things were not notated, since they were understood - that was because of common practice.
"Music, for me, has always been a place where anything is possible--a refuge, a magical world where anyone can go, where all kinds of people can come together, and anything can happen. We are limited only by our imaginations.
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