A Quote by Ray Romano

After 'Raymond,' there was this big feeling of, 'What do I do next?' — © Ray Romano
After 'Raymond,' there was this big feeling of, 'What do I do next?'
I met a 13-year-old black child, Raymond, who had never been to school and had never learnt any words, yet it seemed to me that he was intelligent. It became apparent after a short period that Raymond thought in terms of visual signs and movements.
Right after 'Raymond' I had a world-is-my-oyster attitude, but I found out I don't like oysters. I had this existential emptiness. 'What is my purpose? Who am I?' I had a big identity crisis.
Right after 'Raymond' I had a world-is-my-oyster attitude, but I found out I don't like oysters. I had this existential emptiness.'What is my purpose? Who am I?' I had a big identity crisis.
We live in an impatient world. Everybody is always looking for the next big Kobe, the next big LeBron, the next big Twitter.
My music is about where I am at the time. In 'Raymond vs. Raymond,' I was going through a lot of things, and it came out in my music. My marriage fell apart, and I was suddenly a single father.
But I certainly know a lot of people that existed at that level and are always kind of pining for more, always thinking that the next big break, the next opportunity, the big role are just around the corner of the next audition.
We're all individuals. Lee Raymond is Lee Raymond. He has his style. I am Rex Tillerson, and I have my style.
Every time I bomb out, I have to come back. I have a feeling after a bad race that my next one will be good.
Sometimes I see players that think, and you can tell they're thinking of the next phrase to play or the next thing to do, the next little cute trick, and that's sad, man, you know. That's not makin' music; that's puttin' together puzzles, you know. Music should flow from you and it should be a force; it should be feeling, all feeling, man.
You never know: the next DJ Snake, the next Skrillex, the next big DJs might wait outside of the club. You gotta give back and listen to the next generation and show some love.
With 'The Big Lebowski,' we were really consciously thinking about doing a Raymond Chandler story, as much as it's about L.A.
For many, many years, I was always whipping up things in order to keep myself busy and moving ever forward and saying, 'What's next? What's next? What's next?' I like the equanimity that comes with my age. I don't have big highs, and I don't have big lows. Even if this job goes away tomorrow, the nonstop ambition is a thing of the past for me. I've mellowed
There's a lot of history here. In terms of Asians in this country, you have a big influx after the Cultural Revolution, a big influx after the Korean War, a big influx after the Vietnam War.
I quit drinking. That was a big problem for a lot of years. Then after that, I just started feeling grateful again.
[Raymond Roussel] said that after his first book he expected that the next morning there would be a kind of aura around his person and that everyone in the street would be able to see that he had written a book. This is the obscure desire harboured by everyone who writes. It is true that the first text one writes is neither written for others, nor because one is what one is: one writes to become other than what one is. One tries to modify one's way of being through the act of writing.
Investors are impatient and they are also desperate for the 'next big thing,' and they are not paying attention to the fact that the 'next big thing' can be an economic crisis that they have created by being very irresponsible with their power.
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