A Quote by Ray Romano
When you're in the living room every week for nine years as one character, it's hard for some people to see you as someone else.
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When you're starving or wrapped up in a cycle of binge-ing-and-purging, or sexually obsessed with (someone), it is very hard to think about anything else, very hard to see the larger picture of options that is your life, very hard to consider what else you might need or want or fear were you not so intently focused on one crushing passion. I sat in my room every night, with rare exceptions, for three and a half years.
Someone comes every morning at nine o'clock to see if I am still alive. I do get lonely, yes, but I have the children who come and see me. I see all my children every week, and there are the grandchildren, too.
I really enjoy just being an actor. It's fun to be surprised by someone else's writing and to collaborate in creating a character and to leave all the hard decision-making to some other room full of suckers!
That's because you've never been one. You haven't spent years wearing someone else's clothes, taking someone else's name, living in someone else's houses, and working someone else's job to fit in. And if you don't sell out, then you run away... proving you're the Gypsy they said you were all along.
When I was a kid, I used to do my homework in the living room, where there was a picture window. I was hoping that someone would walk by and see me looking very studious in my living room.
Realistically, there is a danger, of course, when you're going into someone's living room as the same guy every week. But I don't fear it because, I mean, there's really nothing I can do about it. I can try to combat it through the work, and maybe make sure I don't do Sheldon 2.0 in any other projects. But it's just really hard for me to find any negative side effects from this experience.
I think in some ways, acting and writing are the same. You're getting inside the skin of someone else; you're creating their language and their actions. As a writer, you have to see the whole picture and the structure, and you have to understand every character.
When I was eight or nine years old, I saw the TV version of 47 Ronin, played by Toshiro Mifune. He played Oishi. That was my first experience. I watched every week with my brother. "Who plays Oishi tonight? Who will play Kira tonight?" And we fought every week.
I started out on the stage, then I had a great career in television for quite a few years. The good news about a TV series is that they give you a certain amount of fame and money. The bad news is that you're in people's living rooms every week and get associated with a particular character.
...being Lulu, it made me realize that all my life I've been living in a small, square room, with no windows and no doors. And I was fine. I was happy, even. I thought. Then someone came along and showed me there was a door in the room. One that I'd never even seen before. Then he opened it for me. Held my hand as I walked through it. And for one perfect day, I was on the other side. I was somewhere else. Someone else. And then he was gone, and I was thrown back into my little room. And now, no matter what I do, I can't seem to find that door.
There are some good space battles in some of the later series, but that wasn't why you were tuning in every week. You were tuning in every week because Spock was a fascinating character. Because his friendship with Kirk was profound and really unusual.
I was walking in a grocery store and someone jumped on my back - and I knew the second she yelled ‘It’s Emily Fields’, it was a fan. I guess being in someone’s living room once a week on the TV makes them feel a little TOO comfortable.
I know that some of the folks in the press are uptight about this [moving the press corps out of the West Wing ], and I understand. What we're - the only thing that's been discussed is whether or not the initial press conferences are going to be in that small press - and for the people listening to this that don't know this, that the press room that people see on TV is very, very tiny. Forty-nine people fit in that press room.
I was so amazingly witty when I had the No. 1 movie, you have no idea. People laughed at every single one of my jokes. Then when I hadn't had a hit for three or four years, some of these same people pretended they didn't see me when I walked in the room.
When you're running for president, you're a guest in the living room for four years. And if people don't think you're going to be around the living room as a pleasant experience, they're not going to vote for you even if they agree with you.
Everyone over 50 should be issued every week with a wet fish in a plastic bag by the Post Office so that, whenever you see someone young and happy, you can hit them as hard as you can across the face.
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