A Quote by Ray Stannard Baker
Most of us have collections of sayings we live by. . . . Whenever words fly up at me from the printed page as I read, I intercept them instantly, knowing they are for me. I turn them over carefully in my mind and cling to them hard.
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Bend words. Stretch them, squash them, mash them up, fold them. Turn them over or swing them upside down. Make up new words. Leave a place for the strange and downright impossible ones. Use ancient words. Hold on to the gangly, silly, slippy, truthful, dangerous, out-of-fashion ones.
For we let our young men and women go out unarmed in a day when armor was never so necessary. By teaching them to read, we have left them at the mercy of the printed word. By the invention of the film and the radio, we have made certain that no aversion to reading shall secure them from the incessant battery of words, words, words. They do not know what the words mean; they do not know how to ward them off or blunt their edge or fling them back; they are prey to words in their emotions instead of being the masters of them in their intellects.
A map in the hands of a pilot is a testimony of a man's faith in other men; it is a symbol of confidence and trust. It is not like a printed page that bears mere words, ambiguous and artful, and whose most believing reader - even whose author, perhaps - must allow in his mind a recess for doubt. A map says to you, 'Read me carefully, follow me closely, doubt me not.' It says, 'I am the earth in the palm of your hand. Without me, you are alone and lost.
Reading activates and exercises the mind. Reading forces the mind to discriminate. From the beginning, readers have to recognize letters printed on the page, make them into words, the words into sentences, and the sentences into concepts. Reading pushes us to use our imagination and makes us more creatively inclined.
As for the differences between audio and the printed page, the sonic aspects of poetry are important to me. I read my poems aloud to myself as I'm composing them. And I enjoy reading to an audience. I think people get tone more easily when they hear a writer read her work. Some people have told me they hear more humor in my poems at a live reading than when they see them on the page. I think that may be a matter of pacing. On the other hand, I've listened to a lot of poetry readings and I know how much you can miss. If you stop to really register one line, you miss the next three or so.
This is something I learned when I was working at a newspaper: when you put something on paper, whether it's words or pictures, and it's staring back at the reader, they are now alone in the room with them for as long as it takes them to turn the page. Whereas on television, the images fly by.
You can say anything you want, yessir, but it's the words that sing, they soar and descend...I bow to them...I love them, I cling to them, I run them down, I bite into them, I melt them down...I love words so much...The unexpected ones...The ones I wait for greedily or stalk until, suddenly, they drop.
Children are game for anything. I throw them hard words, and they backhand them over the net. They love words that give them a hard time, provided they are in a context that absorbs their attention.
[Words] cling to the very core of our memories and lie there in silence until a new desire reawakens them and recharges them with loving energy. That is one of the qualities of love that moves me most, their capacity for transmitting love. Like water, words are a wonderful conductor of energy. And the most powerful, transforming energy is the energy of love.
One fella went on the internet and got lots of photos of me in Love Actually, topless and naked and stuff, printed them off, stuck them on A4 paper, laminated them and sent them to me for me to sign. I was away and asked my husband to open all my mail for me, so he got quite a shock. And another man sent me a picture of a face where the nose was a willy.
You need to give the reader a reason to turn the page. In a diary, you are just yourself. You aren't trying to entertain. You aren't trying to get anyone to turn the page. I have over one hundred and fifty six volumes of my diary and I guarantee you that if you read them, you'd stop and never come back.
Whenever I get distracted or bored, my eyes wander over to that chalkboard and I read the words. Some of them grow on me, and others annoy me. I attack the latter with eraser and chalk, and keep nudging at them until I like the way they look and sound. Others never make the cut at all and simply get erased. Perhaps one day I will sell these on eBay to RPG players who need names for characters or alien races.
If it bothers me on the page, I don't do it. If it attracts me on the page and moves me, makes me think a bit, makes me laugh, makes me cry, I'm interested in it. If it's there on the page, it means it's there and up to me to bring it out. I have done some films along the way that have been screwed up and not as good as they read. Some films that are not that good on the page turn into good movies. So I'm fallible is what I'm saying.
Is it any wonder the power this man held over me - this man who did not run from his demons like most of us do, but embraced them as his own, clutching them to his heart in a choke-hold grip. He did not try to escape them by denying them or drugging them or bargaining with them. He met them where they lived, in the secret place most of us keep hidden. Warthrop was Warthrop down to the marrow of his bones, for his demons defined him; they breathed the breath of life into him; and without them, he would go down, as most of us do, into the purgatorial fog of a life unrealized.
I've never written about my husband, Steve, or any of my children because I know them all too well. I see them in all their complexities which makes them impossible to render on the printed page.
[...] "I recall what you said to me once," Will went on. "That words have the power to change us. Your words have changed me, Tess; they have made me a better man than I would have been otherwise. Life is a book, and there are a thousand pages I have not read. I would read them together with you, as many as I can, before I die -
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