A Quote by Ray Stevens
The human brain is a funny thing: it's very susceptible to tempo and melody. You put the right words to it, and it becomes very influential.
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Melody is the single most important thing to any song, period. I don't care what anybody says, it trumps everything. Not because that's my opinion but because I think it's actually indisputable fact. The human brain retains melody easier than it retains words. It's that simple.
I've done my share of reading about Abraham Lincoln, throughout my life, and he wasn't always carved in stone. He was a human being. He was a very thoughtful, self-educated, complex, magnanimous human being, who was very, very strong, very smart and very canny, with a very strong sense of what was right and what was wrong. Through all that, he's become an icon, over the years, and some of his warmth and humanity has been lost. You don't tend to think of Lincoln as this warm, funny person, but he was.
I know it's a very human thing to say 'Is there anything I can do', but in this case I would only entertain offers from very high-end experts in brain chemistry.
In my life, I've lived in very different kinds of places - very tiny rooms when I was young. And you do learn to cope with it. The funny thing is, as you begin to inhabit larger places, it's very interesting how quickly you adapt to your space. What seems enormous at first becomes natural after a few weeks.
The thing about music is it's not an obscure pursuit, it's a very natural thing for human beings to do. Once you put in the effort, the learning curve is very fast.
Melody always comes to me first before words - cadence and melody. When you're humming the melody and it's incredible and words start coming out it can build into something special.
I look at a show like 'Roseanne.' That's super influential on me. It's very funny, very real, with real problems. That was a big influence, and I don't know if you see that all the time in the network world.
I write lyrics really fast. When it's time to write, I usually put them off until the very end and then when it's time to write I can just sit down: I sing the melody, whatever the melody is, because that's the first thing that's already been there for a long time; I start singing it and I start creating consonants and vowels; then they turn into words; then all of the sudden one sentence will happen; then that sentence will dictate how the rest of the sentences happen.
Paul Bearer was very influential in the early stages of my career. He constantly hounded me and I just think he realized the potential that was there. He convinced me that I was in the right place and doing the right thing.
Music bears a great responsibility because it is so influential. Everybody listens to music. It is a very influential tool. To me, it is very important to the world... music is... to being... to life.
Before 'Sunny' came along, I would audition and do chemistry reads with very funny actors. And then they would cast someone who was beautiful and benign. I don't think that very funny men wanted to headline with very funny women. They wanted to be the funny ones, and they wanted the wife to be the wife. That was very frustrating.
The thing about the 600 words, I mean some day, you can do a very, very, very hard day's work and not write a word, just revising, or you would scribble a few words.
My brain is very simple. Like when you break everything down. I see things in a simple way. And that simplicity for some reason becomes funny to other people because they don't look at it that way.
The only thing going on is the progression of words and sentences across page after page and so suddenly we see this immersive kind of very attentive thinking, whether you are paying attention to a story or to an argument, or whatever. And what we know about the brain is the brain adapts to these types of tools.
I've been very lucky in that the studios really respect me and they give me all my creative freedom. But nevertheless, they are inputs, they have opinions. It's the same thing for me as if you're in a shower and you're coming up with a tune, with a melody, but there are 70 people trying to sing their own melody at the same time. So you have to focus and concentrate, and not lose the track of your melody.
The brain is really hard to see. The whole thing is very large - the human brain is several pounds in weight - but the connections between brain cells, known as synapses, are really tiny. They're nanoscale in dimension. So if you want to see how the cells of the brain are connected in networks, you have to see those connections, those synapses.
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