A Quote by Ray Stevenson

They're {Marvel] the ones who have went out and bought the comic book whenever it came out. They're the real investors. They serve them. Having a chance to be part of that Marvel Universe is just - well, it is what it is. It's just fantastic.
If I were to take five comic books, from four different publishers and Marvel, and lay them out, even if you didn't know the characters, you would be able to take a look at that Marvel comic and go, 'That's Marvel.' There's something unique about the way the story is presented.
The Daredevil comic book was the first comic book Marvel had ever put out that was an adult R-rated book, so I started with that. When I was creating the series, I just started with that tone, and that edge, and it just kept going.
My grandfather bought me my first Marvel comic book when I was six years old, and since then, it has been an ongoing love. It was an 'X-Men' comic book.
The Marvel universe is a deep, weird, woolly place, and getting to expose strange corners of it is part of the fun of 'She-Hulk.' Honestly, it's part of the fun of any Marvel book.
Becoming a part of the Marvel Universe was my childhood dream. Like most kids growing up, I read a lot of comic books and acted out some of the characters with friends. Since I can remember, I wanted to be a superhero, so it's not just a movie for me - or just another role - it's a fulfillment of my dreams on so many levels.
The Marvel cinematic universe and the Marvel animation universe are things that are very true, in terms of the DNA of what it is. But if, at the end of the day, all we're doing is telling stories that have appeared in the comic books already, then we're not really challenging anybody.
My hero in comic books is Jack Kirby: 'Spider-Man,' 'Fantastic Four,' 'Captain America,' Marvel Comics. He was really the basis for Marvel Comics.
My favorite comic book growing up was 'Thor.' It was one of my three, favorite comic books. Obviously, Marvel is such a huge name, but for me, to book a role in a Marvel movie, and for it to be 'Thor.' When my manager told me I booked 'Thor,' I literally didn't know what to say.
Over at Marvel, I have a five-part series coming out very soon. The books or chapters will appear weekly. It's called '5 Ronin' and features some iconic Marvel heroes as you've never seen them.
There's almost a universe as big as the Marvel Universe with X-Men. I mean, Deadpool is something I think everybody was taken surprise by, except for the people who read the comic book.
One of the weapons Marvel used in its climb to comic-book dominance was a willingness to invent new characters at a dizzying speed. There are so many Marvel universes, indeed, that some superheroes do not even exist in one another's worlds, preventing gridlock.
I was very clear that I wanted to keep 'Thor' out of the rest of the Marvel universe for no less than the first six issues. And the success of the book, I think, speaks well to that decision.
This is, in fact, the biggest show that Marvel television has ever taken on, in the animation world. We had a real challenge that was posed to us, and that was this little, tiny art-house movie that came out last year, that I don't know if you saw, called Marvel's The Avengers, written and directed by our friend Joss Whedon, and it really set the template.
I was a huge comic book fan. It's weird because the era of 'Marvel' I was into turns out to be very important in the long run, but it's not the one that anybody romanticizes.
Comic book characters are characters who wear costumes. They're not necessarily different than other characters. The trend I think that you're seeing are comic book movies, at least the ones that Marvel makes, don't have comic book stories. They have dramatic human stories.
I love Marvel, and I was just so excited to have a chance to direct for them.
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