A Quote by Ray Stevenson
When you're wearing jeans there's a shift in your center of gravity. A costume like this and a character like this, there's no way to hide. If you try and play him any way sort of modern or normal, you diminish. He's larger than life. He's 150 percent. You've got to go for it all the time. It was just impossible.
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When you're wearing jeans, there's a shift in your center of gravity.
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
I've done a few costume dramas, and people say, 'What was it like wearing the costumes? Did they really help you with your character?,' and most of the time it doesn't make any difference. You're wearing something a bit weird, and it's sort of uncomfortable, but it doesn't really have a huge impact on the part that you're playing.
You've got to leave the reader with more than just a name and a costume - they need to know who the character is, what they're like, what kind of attitude they have, what sort of role they play.
Youve got to leave the reader with more than just a name and a costume - they need to know who the character is, what theyre like, what kind of attitude they have, what sort of role they play.
Like any normal fifth grader, I preferred my villains to be evil and stay that way, to act like Dracula rather than Frankenstein's monster, who ruined everything by handing that peasant girl a flower. He sort of made up for it by drowning her a few minutes later, but, still, you couldn't look at him the same way again.
Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.
The thought must have its own center of gravity; it cannot just be either here or there. We must find this center of gravity. It is the same for the body; if it is not centered, no movement will be possible. It is the same for the feeling. These Movements are designed to enable us to pass from one center of gravity to another; it is the shift that creates the state. The gesture, the movement, is what is important, not the attitudes.
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
I have a political aversion to blue jeans. I'm biased against them. I really am. I've been forced over the course of my life, I have been forced by certain people to try a pair of jeans. So I've gone and I've tried 'em on, and I hate 'em. They're not comfortable. They just are not comfortable. I hate wearing anything that makes me feel like I have it on, and blue jeans make me feel like I'm wearing burlap.
The approach to acting is always the same, you try to figure who the guy is and then you try to transition your way into his way of thinking and moving through the world. The rest of it is just accoutrements, you don't play the makeup, you play the guy. If you're not wearing makeup, you just play the guy.
Music has become really important now. It's helped me to open up more and take a chance on loving people. Music is a good reason to care. It's just a vehicle though. It's a way to try and give somebody something that you feel. If trying the best I can isn't good enough, I'll just have to try harder next time...it's all I can do. If I do the best I can, then at least I did the best I could in this life The way I like to look at it is....if that's the last time /I ever got to play, I'd better give it everything I've got.
For a long time, I refused to wear jeans. I liked high-waisted pants, but jeans made me feel like I wasn't being unique. Even now, I won't wear the skinny-jeans style, because most people wear those - they have to be baggier, boyfriend-looking, or sort of like a mom jean. I'm real funny that way.
Remembering that life can be full of surprises is useful in any part of your life. You can try a new way of singing a song you’ve performed for years, a new way of showing your family your love for them, or a new recipe. Don’t just play the licks you know. We’re all improvising all the time — it’s good to recognize that and embrace it.
In modern life, we hide behind ourselves. In Shakespeare, there's nowhere left to hide. It's life, larger than life, and every actor has to raise their game to get there.
It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.
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