A Quote by Ray Stevenson
There's not a lot of direct back story but you do get to see them playing around each other a lot.
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My boyfriend and I like to fight a lot. I have a lot of problems. He has a lot of problems. Somehow, we always work them out and find a way back to each other.
I spend a lot of my downtime studying different businesses and learning from a lot of entrepreneurs when I'm not playing football. They can help me evaluate different ventures to see if they'll work. I was aggressive with my initial investments, trying to hit a homerun each time. But now, I'm stepping back and being more patient, giving them due diligence.
I think a lot of trust is done even off the field. When you get to know guys and you see their story, you understand what they're about and what playing on a team means to them.
We wouldn't have anything to prove fighting each other. And I'm pretty sure the fans and the people around the world wouldn't want to see twin brothers that train with each other and have the same tactics fight each other. So I'm not really entertaining the fact that a lot of people have been asking will me and my twin brother fight each other. No.
A lot of people that I've had around me have been my closest friends since junior high, back when we were exchanging each other's clothes, staying at each other's houses. That was before I had anything.
I have three kids, and I'm a coach for a lot of their sports, so I'm around them a lot, but I see friends of mine with older kids and they don't really interact so much, other than giving them a place to live.
I feel really connected to these young ladies I get to work with; I'm dancing around with them and playing music for them. We sit down and get to know each other so we have a shorthand.
I liked John a lot. He was the one I really got on with the most. We weren't buddy-buddies but we were always friendly. But after the Beatles and the Stones stopped playing clubs, we didn't see each other that much until he separated from Yoko, around 1974. We got really friendly again. And when he went back with Yoko, he went into hibernation ... when I went to visit someone in the Dakota, I'd leave him a note saying: 'I live next door: I know you don't want to see anyone, but if you do, please call.' He never did.
I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.
The film industry is an awkward business - you get together with strangers, get to know them very well and then you make a lot of promises to see each other and you don't. Maybe that is like a real family.
I just worry a lot. I'm a worrier. Michelle and Barack are really dear to me. I mean, I love them. And I don't want to see them get hurt. Just the nature of politics is hurtful. So every time they are hurt, I get hurt. It's a lot to ask of people, and it's a lot to see your friends go through. It's hard not to get emotional.
We had a lot of rehearsals for the original Twilight to get the family to learn each other and experience each other, so we could all be like a family. We spent a lot of time together.
God, how we get our fingers in each other's clay. That's friendship, each playing the potter to see what shapes we can make of each other.
Is there anyone’s life story you don’t want to know?” “Not really.” His expression was unexpectedly serious. “Because people make a story of their lives. Gains, losses, tragedy and triumph—you can tell a lot about someone simply by what they put into each category. You can learn a lot about what you put into each category by your reaction to them. They teach you about yourself without ever intending to do it—and they teach you a lot about life.
Both times I was in India, I could not get people to listen to each other. I had to literally tell people to listen to each other and tell them that they can't get creative and find alternate solutions if they don't listen to each other. There's a lot of arguing and justifying.
A performance is only as good as the audience you are playing to. A lot of times you feed off of the audience, and we always try to give them all we've got and sometimes you don't get a lot back, but we've never been dead whenever we've performed.
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