A Quote by Ray Stevenson

When you're wearing jeans, there's a shift in your center of gravity. — © Ray Stevenson
When you're wearing jeans, there's a shift in your center of gravity.
When you're wearing jeans there's a shift in your center of gravity. A costume like this and a character like this, there's no way to hide. If you try and play him any way sort of modern or normal, you diminish. He's larger than life. He's 150 percent. You've got to go for it all the time. It was just impossible.
The thought must have its own center of gravity; it cannot just be either here or there. We must find this center of gravity. It is the same for the body; if it is not centered, no movement will be possible. It is the same for the feeling. These Movements are designed to enable us to pass from one center of gravity to another; it is the shift that creates the state. The gesture, the movement, is what is important, not the attitudes.
The center of gravity of the American people is way to the left of the center of gravity of Congress and, in many ways, to the left of the national Democratic Party.
I'm not going to do red jeans. No green jeans. I don't do Vans and that's the style right now. I don't want to show my socks when I'm wearing jeans.
we need not avoid our active lives, but simply bring to them a new vision and shift of gravity. for in the center we are rooted in god's love. in such a place there is no need for striving and impatience and dashing about seeking approval.
Historically when there is a rising power like China, it has usually led to confrontations between the rising power and the existing dominant powers. And when you have a shift of the center of gravity of world affairs from the Atlantic to the Pacific, then you have an additional element.
I’m not going to let my insecurities keep me from having a good time. I think that if you don’t loose your self-consciousness, you can’t really be present in a situation. For example, if you’re at The Louvre, but you’re thinking about how much you hate your jeans, you’re not really at The Louvre. So in your memory, when you look back, you’re always going to be like, “I was wearing those jeans I hated”. And you’re not going to remember anything else.
The swimsuit and jeans look is my favorite. It was a big part of my introduction to the world as an artist. It was so cool to see girls wearing swimsuits with their jeans during that time.
I have a political aversion to blue jeans. I'm biased against them. I really am. I've been forced over the course of my life, I have been forced by certain people to try a pair of jeans. So I've gone and I've tried 'em on, and I hate 'em. They're not comfortable. They just are not comfortable. I hate wearing anything that makes me feel like I have it on, and blue jeans make me feel like I'm wearing burlap.
I'm trying to get a lower center of gravity. I think, when I play at a lower level, it helps my overall game, just my explosiveness to the rim with the ball in my hands. When I play with a lower center of gravity, my legs are always in my shot instead of playing vertical out there where I don't get the same explosion or legs into my shot.
I am wearing a size 28 Paige Jeans. Jeans don't lie, and I am just happy!
Everyone was wearing jeans, so I started wearing slacks. I'd walk on, and people would laugh before I got to the mic because I looked stupid.
I was fascinated with jeans, because you can impress your life upon the jeans you wear. The way you sit imprints on the jeans.
What I'm wearing changes everything about how the show goes. If I'm wearing blue jeans and flannel, it's going to be a country show, and I'm going to get my twang on. But if I'm wearing a flapper dress, fringe or sequins, I'm rocking out, Tina Turner style.
As a rule, wearing a bigger pair of jeans looks better than squishing yourself into a pair of jeans that used to fit before you gave up smoking.
When I got a record deal I said, 'I'm only wearing jeans. I'm not wearing frilly dresses.' Dancing around in sequins is just not who I am. I wanted to be heard, not seen.
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