A Quote by Ray Walston
If they're working in a workshop somewhere, where there is, let's say, uh... only twenty people, or something like that, that's still, when they work and do a scene, that's still working in front of somebody.
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There are many actresses that are working longer, because until you change the playing field and make it economically stronger for women, it's very difficult to say no to somebody when that's your only gig. If you're a producer, or if you have more power, you're going to be in a position to know that if you burn that bridge, there'll still be this bridge open. But still - when people ask me 'do you think your politics have decreased your chances of working, I say: 'In Hollywood, most of the prejudice has to do with if you're old or fat.' Power can't forgive that".
Yeah, it's funny, working on a show with as large a cast as we have here, your work gets sort of compartmentalized. There's still about half the cast that I've never had a scene with but I have missed working with Terry.
I'm just like you - I want to be a good human being. I'm doing my best, and I'm working at it. And I'm trying to be a Christian. I'm always amazed when people walk up to me and say, 'I'm a Christian.' I always think, 'Already? You've already got it?' I'm working at it. And at my age, I'll still be working at it at 96.
I don't think there's any single finished point for a work. It's done when something's happening with the work that feels like a balanced, coherent disharmony. That's one way to say it. And where if I keep working on it, to discover and struggle with new problems, I'll obliterate the ones I was working on. I could keep working on it, but it'd become something different. And I value what's here, at the moment.
I like doing voiceover work. I just like it in general, because you're constantly working on a very first-instinct level. You show up, you get in front of the microphone, you look at the lines, you say the lines, and then you move on. You work on a really primal level, is what I'm saying. You don't have to shave. You don't even have to wear pants. But, uh, that wasn't your question.
I think that there's something that I still like about the fact of a package, like the latest report from somebody. "Okay, this is what they're up to now; this is what they're doing; who's working with them?
I definitely want to work with Thom Yorke. I want to work with Damien Marley; there's a few international artists I wouldn't mind working with - like Massacre Children would be ill, and I still have an affinity for the U.K. hip hop scene.
The happiest people I know are the ones that are still working. The saddest are the ones who are retired. Very few performers retire on their own. It's usually because no one wants them. Six years ago Sinatra announced his retirement. He's still working.
I definitely want to work with Thom Yorke. I want to work with Damien Marley; there's a few international artists I wouldn't mind working with - like Massacre Children would be ill, and I still have an affinity for the UK hip hop scene.
People don't work in factories, [they aren't] big muscular guys. The working class is flabby because they're sitting in front of a computer all day, but it's still their labor being extracted.
This is my work ethic: I do not want to raise my future kids where I was raised, and I know the only way to do it is working, working, working, working, working.
For me, one of my life's mission is to disrupt these dated concepts of what it really looks like and means to be a working woman. The expression 'working man' is never heard in conjunction. But people still talk about this sort of 'working woman,' and there's a bit of negativity to that connotation.
Nobody says 'a working man,' but they say, 'a working woman.' And there is still a strange connotation to that.
Even when I’m not working, I’m still working on something because I just want to create something.
I think that the spirit of America is still very much one of where people want to work hard and the majority of people want to work hard. They want to be entrepreneurs. But when you have that all taken away with government regulation or with government overbearance of taxation, you start to wonder whether if it's even worthwhile because who are you really working for? Are you working for yourself, are you working for the government? In the end, this wealth distribution scheme that's at the heart of the current political administration is an inherently wrong one.
Age to me means nothing. I can't get old; I'm working. I was old when I was twenty-one and out of work. As long as you're working, you stay young. When I'm in front of an audience, all that love and vitality sweeps over me and I forget my age.
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