A Quote by Ray Winstone

Hollywood don't always pay a lot of money. Because we're English they think we're cheap! — © Ray Winstone
Hollywood don't always pay a lot of money. Because we're English they think we're cheap!
If you want to pay money for an English talent you pay way over the odds. You get players from abroad really cheap.
Our company, it's, uh, really un-sexy. And I think most people get into Hollywood to be showy. We first of all make horror movies, which people turn their noses up at. Second of all, we make cheap movies, and Hollywood's a lot about ego and money and, 'My movie cost $200m!,' you know?
We need to realize that these industrial methods of farming have gotten us used to cheap food. The corollary of cheap food is low wages. What we need to do in an era when the price of food is going up is pay better wages. A living wage is an absolutely integral part of a modern food system, because you can't expect people to eat properly and eat in a sustainable way if you pay them nothing. In fact, it's cheap food that subsidized the exploitation of American workers for a very long time, and that's always been an aim of cheap food.
People, who live below their means, save for a rainy day - the price is a cheap life. There are a lot of people who have a lot of money; but at the end of the process, they are still cheap; so they have made money their God.
I was sick and tired of being an English actor who did a lot of American movies because I was cheap and good.
I always feel that crime films are about capitalism because it is a genre where it is perfectly acceptable for all the characters to be motivated by the desire for money. In some ways, the crime film is the most honest American film because it portrays Americans as I experience a lot of them, in Hollywood, as being very concerned with money.
I wasn't making any money, but I didn't feel unsuccessful because of that. You can do that in New York but not in Hollywood. In Hollywood, it is how much money you make.
Cheap money feels like the most natural thing in the world - if you don't think about why it's so cheap.
It costs a lot of money to make an album in a studio in New York with a producer and musicians. I have to pay a publicist every month. I have to pay for mastering, production, the manufacturing of the discs. Then, to promote an album properly, you have to spend a lot of money.
I look back now and think, what was I doing, moving to Hollywood with $2,000 and a duffel bag? But there is no money in martial arts competitions, and in Hollywood, there is an outlet for those skills. And I have always been pretty fearless.
I think that a lot of teams aren't as close-knit as we are because a lot of the Spanish speakers don't know English and some of the English guys don't care to try and learn Spanish and relate to Latin players.
I always wanted to do my solo album in English, because I grew up listening to a lot of pop artists and English-based songs.
The actors are in control, getting outrageous amounts of money. The reason they're getting this kind of money is because the studios don't know what else to do. They don't have a clue about what to do except to pay an actor a lot of money.
Love is cheap. You can buy it anywhere. Lives are cheap. It's money that's dear. You have to work days and sit up nights thinking how to make money.
I'm cheaper than Anthony Hopkins. The other actors they asked to play Gandalf wouldn't go to New Zealand on that money for that length of time. I thought it would be a bit of an adventure. Tony Hopkins didn't think it would be an adventure. Tony is part of Hollywood. I'm an eccentric English actor, and there's a lot of us around.
I have always felt most comfortable singing in English, perhaps because I think in English.
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