A Quote by Ray Wylie Hubbard
I started out as a folk singer, and kinda got sidetracked playin' honky tonks and such, but I was always a working musician. I didn't want to be Townes Van Zandt or Guy Clark, but I wanted to play in front of their audiences, you know what I mean?
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The chances of getting Townes to like it were very remote. When I wrote 'Til I Gain Control Again,' Townes Van Zandt sort of nodded. And I thought, 'Yes!'
I knew Townes Van Zandt a little bit.
My first job in the film business was working as a production assistant, and then a production manager on a documentary about Townes Van Zandt.
I love John Denver. Townes Van Zandt is one of my all-time favorites.
I was a young folk singer, or wanted to be. I really wanted to be a New England folk singer, but they never would accept me. I was always hard to categorize, and people wouldn't know what to make of it.
Townes Van Zandt ranks alongside Kris Kristofferson and Bob Dylan. He inspired so many songwriters to shoot for something that's timeless.
Townes Van Zandt is the best songwriter in the whole world, and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that.
If you had to call it "unison", it ain't unison. It ain't the same as somebody else. If you can hear that it's unison, and you have to name it something other than "unison", it ain't unison, you know what I mean? It's two guys playin', but one guy is playin' slightly out of tune, one is playin' slightly off meter.
When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.
Steve Van Zandt, the poor guy, doesn't get to play enough as it is with me hogging a lot of the solos. Steve has always been a fabulous guitarist. Back from the day when we were both teenagers together, he led his band and played lead and was always a hot guitar player.
All I cared about was the music, like hearing Townes [ Van Zandt] talking about "For the sake of the song"; it's all that mattered. In spite of me a couple of things happened, mainly the Eagles and Seven Bridges Road. That certainly helped me survive. Joan Baez, Rita Coolidge, and Ian Matthews did it.
I was always the guy who made jokes and ribbed people at parties. After I went to the American Academy of Dramatic Arts I got sidetracked into clubs and started doing comedy.
I'm not up in the front office or anything; I just control what I can control: playin' ball and playin' the best I can play.
Dave Van Ronk, for those who don't know him - probably most don't know - was a folk singer. He's kind of the biggest person on the scene in 1961 in the folk revival in Greenwich Village, biggest person on the scene until Bob Dylan showed up.
I never started out as an R&B singer. I grew up on all types of music - jazz, rock, pop, country, folk - and I wanted to bring that to my stage.
Guitar gigs were everywhere in the '50s, and I started diddling around so I could keep working. Playing honky-tonk, simple stuff. I took a few gigs with an organ band that put me out front.
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