A Quote by Raymond Carver
It's something that I feel I know about, relationships between men and women. I like to write from the woman's point of view now and again, to get inside her head, to feel what she's feeling.
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Men's sexuality is mean and violent, and men so powerful that they can reach WITHIN women to fvck/construct us from the inside out. Satan-like, men possess women, making their wicked fantasies and desires women's own. A woman who has sex with a man, therefore, does so against her will, even if she does not feel forced.
I don't think it's a sad thing for a woman to not be in a relationship if she doesn't want to be. I feel like nobody looks at men who aren't in relationships and like, I don't know. It seems to be something looking at women like oh that's sad. But you have to look at what they want out of their lives.
The Pavlovian view of women voters - plug the words in, and they will respond - sends a chill down my spine because it sounds like an adaptation of something I have written about communication between the sexes: When a woman tells a man about a problem, she doesn't want him to fix it; she just wants him to listen and let her know he understands. But there's a difference between a private conversation and a presidential election, between what we want from our leaders.
I feel something very small growing inside me as I look at her, and I realize in one absolutely clear moment that I don't like her at all. 'You know what?' I say. 'Forget it. I'll do the list by myself.' She stands up, swings her stupid hair about and tries to look offended. It's a trick that works with guys, but it makes no difference to the way I feel about her.
The Pavlovian view of women voters - 'plug the words in, and they will respond' - sends a chill down my spine because it sounds like an adaptation of something I have written about communication between the sexes: When a woman tells a man about a problem, she doesn't want him to fix it; she just wants him to listen and let her know he understands.
I know about her, although she has never crossed my path," he said softly. "I know about her struggles and her defeats. It is because of her defeats that she is to me the lovely one. Out of her defeats she has been born a new quality in woman. I have a name for it. I call it Tandy. I made up the name when I was a true dreamer and before my body became vile. It is the quality of being strong to be loved. It is something men need from women and that they do not get.
A novel can do something that films and TV usually can't - a glimpse inside the characters' heads. I write very tight third person point of view, so the reader is right behind the eyes of each character, seeing what they see and feeling what they feel.
They talk about how men are chasers, but women are just like that too. At least a lot of the women that I know, who tend to be ambitious, professionally driven women, they love that. Like seeking something professional that is hard to get, I think they feel the same way about men.
She didn't feel thirty. But then again again, what was being thirty supposed to feel like? When she was younger, thirty seemed so far away, she thought that a woman of that age would be so wise and knowledgeable, so settled in her life with a husband and children and a career. She had none of those things. She still felt as clueless as she had felt when she was twenty, only with a few more gray hairs and crow's feet around her eyes.
Some men don't want their women to speak up, and then other men are attracted to that very thing. But as a woman, you don't want to be just window dressing. I've probably been unattractive to some men because I do say what I feel and what I think. You can be political about it, but I don't have a red flag. I don't have a mechanism in my head that prevents me from saying what I think, or if something upsets me or if I feel like I'm being degraded. I come from a family of very outspoken women. I can't imagine living in a time when you couldn't express what you felt.
I talked to my mother about it a lot. I asked her what it was like to grow up in New York and Harlem in the 1920s and 1930s, and I asked her about a woman leaving her husband. I asked her about how she would feel about that woman, and my mother grew up in the Church Of God In Christ, and she told me that the woman might be isolated because the other women thought she might go and come after their husbands. That's how they thought then.
But the thought arrived inside her like a train: Marya Morevna, all in black, here and now, was a point at which all the women she had been met—the Yaichkan and the Leningrader and the chyerti maiden; the girl who saw the birds, and the girl who never did—the woman she was and the woman she might have been and the woman she would always be, forever intersecting and colliding, a thousand birds falling from a thousand oaks, over and over.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
What do you want? "To know you," she said without hesitation. "All of you. I want to know what makes you feel good." "Your laughter," he said without hesitation. "Feeling your hands on me. The way you look at me, whether I've been a complete dumbass, or just made you come-" With a laugh, she ducked her head, but he dipped his down until she was looking at him again. "You want to know what scared me?" he asked. "Yes" He leaned even closer and slid a hand to the nape of her neck. "The thought of never having those things with you again." -Chloe and Sawyer (Head over Heels)
Maybe a young woman will go see a show by a woman, or starring a woman about women's issues, and that will help her get to that quiet place inside of herself where she can then explore what it means to be a woman to her.
I don't know if it's more acceptable or if black men are more comfortable. Black men certainly are more comfortable with it. I don't know that society, like white society loves it or black women. When you see a black man with a white woman there is a feeling that you have and I think the feeling is an instinctual feeling of you want her you don't want me. I don't look anything like her, so you don't like. You know what I mean? Something like that. It's a real instinctual primal thing.
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