A Quote by Raymond Chandler
The making of a picture ought surely to be a rather fascinating adventure. It is not; it is an endless contention of tawdry egos, some of them powerful, almost all of them vociferous, and almost none of them capable of anything much more creative than credit-stealing and self-promotion.
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It almost seems as if autumn were the true creator, more creative than the spring, which is too even-toned, more creative when it comes with its will-to-change and shatters the much too ready-made, self-satisfied and really almost bourgeois-complacent image of summer.
Photography has almost no reality; it is almost a hundred per cent picture. And painting always has reality: you can touch the paint; it has presence; but it always yields a picture - no matter whether good or bad. That's all the theory. It's no good. I once took some small photographs and then smeared them with paint. That partly resolved the problem, and it's really good - better than anything I could ever say on the subject.
To give them what I never had heals me. Some days I look at them and almost start to cry. I think, How can I love them more than I did the day before? But it keeps growing.
Differences of power are always manifested in asymmetrical access. The President of the United States has access to almost everybody for almost anything he might want of them, and almost nobody has access to him. The super-rich have access to almost everybody; almost nobody has access to them. ... The creation and manipulation of power is constituted of the manipulation and control of access.
If you can stare hard at your problems, they almost always shrink or disappear, because you almost always find a better way of dealing with them than if you don't face them head on. The more difficult the problem, the more important it is that you stare at it and deal with it.
When we start shooting I don't have rehearsals with characters at all. So, rather than pulling them towards myself, I travel closer to them; it's very much closer to the real person than anything I try to create. So I give them something but I also take from them.
Nothing is more debilitating than to care about something you can't do anything about. And you can't do anything about your adult children. You can want better for them, and maybe even begin to provide something for them, but in the long run, you cannot do anything about someone else's vibration other than hold them in the best light you can, mentally, and then project that to them. And sometimes, distance makes that much more possible than being up close to them.
Basically, the Internet is just the way now. It's the end-all, be-all of self-promotion. It's not like you got to burn CDs and pass them out or sell them. The Internet is a tool that reaches billions and billions of people. It's like a no-brainer to tie it in with self-promotion, or even label promotion.
There are the goods; if you want them, you can have them. If you do not want them, they would almost rather that you did not come and talk about them.
I'm all about empowering women. And by lining them up against the wall and weighing them, surely you are making them feel more like meat than ever - even if it's little meat, if you know what I mean.
I own almost 100 hotels in North America. Some of them are only in management, but some of them we have some small stakes in them.
It may be said of some very old places, as of some very old books, that they are destined to be forever new. The nearer we approach them, the more remote they seem: the more we study them, the more we have yet to learn. Time augments rather than diminishes their everlasting novelty; and to our descendants of a thousand years hence it may safely be predicted that they will be even more fascinating than to ourselves. This is true of many ancient lands, but of no place is it. so true as of Egypt.
I probably have more female friends than any man I've ever met. What I like about them is that almost always they're generally mentally tougher, and they're better listeners, and they're more capable of surviving things.
The greater a man is in power above others, the more he ought to excel them in virtue. None ought to govern who is not better than the governed.
But...books are so much more. Some of them are webs; you can feel your way along their threads, but just barely, into strange and dark corners. Some of them are balloons bobbing up through the sky: totally self-contained, and unreachable, but beautiful to watch. And some of them?the best ones?are doors.
I always found misogyny vulgar and stupid, and I found almost all the women I have known to be my betters. However, placing them so high, I used them more often than I served them. How does one make sense of this?
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