A Quote by Raymond Chandler
It is a language which is being molded by writers to do delicate things and yet be in the grasp of superficially educated people.
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It is a mass language only in the same sense that its baseball slang is born of baseball players. That is, it is a language which is being molded by writers to do delicate things and yet be within the grasp of superficially educated people. It is not a natural growth, much as its proletarian writers would like to think so. But compared with it at its best, English has reached the Alexandrian stage of formalism and decay.
Uneducated people are unfortunate in that they do grasp complex issues, educated people, on the other hand, often do not understand simplicity, which is a far greater misfortune.
We live in a world filled with language. Language imparts identity, meaning, and perspective to our human community. Writers are either polluters or part of the clean-up team. Just as the language of power and greed has the potential to destroy us, the language of reason and empathy has the power to save us. Writers can inspire a kinder, fairer, more beautiful world, or invite selfishness, stereotyping, and violence. Writers can unite people or divide them.
A language possesses utility only insofar as it can construct conventional boundaries. A language of no boundaries is no language at all, and thus the mystic who tries to speak logically and formally of unity consciousness is doomed to sound very paradoxical or contradictory. The problem is that the structure of any language cannot grasp the nature of unity consciousness, any more than a fork could grasp the ocean.
The greatness of peoples springs from their ability to grasp the grand conceptions of being. It is the absorption of a people, of a nation, of a rare, in large majestic and abiding things which lifts them up to the skies.
We find in the novella a seamless interweaving of at least two narrative voices, one of which is that of an observer so sympathetic that his language appears to be Aschenbach's own, the other of which is superficially celebratory (except at the moment of moralistic condemnation) but undercuts Aschenbach by means of an ironic detachment.
Certainly, historically, there has been more attention given in the international media to Indian English-language writers than to Pakistani English-language writers. But that, in my opinion, was justified by the sheer number of excellent writers coming from India and the Indian diaspora.
As civilization progresses, we should improve our laws basically, not superficially. Many things that are lawful are highly immoral and some things which are moral are unlawful.
The ways in which things are superficially similar but also distinct is interesting to me.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Other animals can make sounds, and sounds can indicate pleasure and pain. But language, a distinctly human capacity, isn´t just for registering pleasure and pain. It´s about declaring what is just and what is unjust, and distinguishing right from wrong. We don´t grasp these things silently, and then put words to them; language is the medium through which we discern and deliberate about the good.
Keep in mind that when sin is viewed superficially, it is dealt with superficially.
If you think of politics as 'serious people focusing seriously on the most important questions,' which is the default mode of most educated people and the media (but not the less-educated public which has better instincts), then your model of reality is badly wrong.
We won with the military. We won with highly educated, pretty well educated and poorly educated. But we won with everything, tall people, short people, fat people, skinny people just won.
This is what magic is. It's being able to speak in a voice which makes things happen, being able to speak in a voice which causes facts to be beheld by groups of people in a way that has been purged from profane language, for us relegated to poetry and that sort of thing.
I had no one to help me, but the T. S. Eliot helped me. So when people say that poetry is a luxury, or an option, or for the educated middle classes, or that it shouldn’t be read at school because it is irrelevant, or any of the strange stupid things that are said about poetry and its place in our lives, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language – and that is what poetry is. That is what literature offers – a language powerful enough to say how it is. It isn’t a hiding place. It is a finding place.
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