A Quote by Raymond Chandler

The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement. — © Raymond Chandler
The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement.
The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement
Screenwriting is still a challenge for me. It's more technical than creative. You have to be a very good journeyman plumber and put the proper parts together. Then, if you can still inject a little bit of something worthwhile, you have done as much as can be expected.
little sun little moon little dog and a little to eat and a little to love and a little to live for in a little room filled with little mice who gnaw and dance and run while I sleep waiting for a little death in the middle of a little morning in a little city in a little state my little mother dead my little father dead in a little cemetery somewhere. I have only a little time to tell you this: watch out for little death when he comes running but like all the billions of little deaths it will finally mean nothing and everything: all your little tears burning like the dove, wasted.
There is so much misinformation out there. If you give people even a little bit, it gets blown out of proportion then you have to go put out fires. So it's much easier to say, 'No comment.'
There is much to be learned from the little kids and from the little animals! Little things teach us big things! Small candles too challenge the huge darknesses!
I always had plenty of ideas. I didn’t exactly have them. They grew—little by little, a half an idea at a time. First, part of a phrase and then a person to go with it. After a person, then a little corner of a place for the person to be in.
The good news is that by the second year, those cravings were about as half as frequent, and by the third year, half as much again. I'm still a little bent, a little crooked, but all things crooked, I can't complain. After all those years of all kinds of abuse and crashing into trees at eighty miles an hour and jumping off buildings and living through overdoses and liver disease, I feel better now than I did ten years ago. I might have some scar tissue, but that's alright, I'm still making progress.
Half-wits talk much, but say little.
Each person holds so much power within themselves that needs to be let out. Sometimes they just need a little nudge, a little direction, a little support, a little coaching, and the greatest things can happen.
Holiness is the sum of a million little things — the avoidance of little evils and little foibles, the setting aside of little bits of worldliness and little acts of compromise, the putting to death of little inconsistencies and little indiscretions, the attention to little duties and little dealings, the hard work of little self-denials and little self-restraints, the cultivation of little benevolences and little forbearances.
I didn't run the ball very much in college. I sat out most of the time and played a little slot receiver, a little tight end, a little fullback but that's pretty much about it.
My group of friends, we sort of go at each other pretty hard sometimes. And it's half performance, half truth that you can say cutting things to your friends that might be a little true, but as long as you package it in a joke, it becomes a little more palatable.
The little bit (two inches wide) of ivory on which I work with so fine a brush as produces little effect after much labour.
I think, to be honest, sort of emanated from the initial work of somebody else instead of SCLC. If you take Albany; I don't know whether you recall how Albany got started. There were two little guys who went up there first. One was Cordell Hull who was then in his teens - not Cordell Hull - Cordell Reagan, who came out of the Nashville movement, and Charles Sherrod, who came out of the Richmond, Virginia, movement.
If you add a little to a little, and then do it again, soon that little shall be much.
Just blow in it and sound bad for about a year and then make it sound a little bit better, and you get a little band together, and then you get a few jobs. You take four guys that sound half bad, but if they're 25 percent each, they can give 100 percent, you know?
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