A Quote by Raymond Cruz

When I was a kid, they bussed us down to a screening of 'To Kill a Mockingbird' in an old theater, and it was just a great experience. — © Raymond Cruz
When I was a kid, they bussed us down to a screening of 'To Kill a Mockingbird' in an old theater, and it was just a great experience.
As a matter of fact, I constantly tell audiences all over the world that the single greatest icon of American culture from the publication of "To Kill A Mockingbird" was that novel so that if we say, what conversation can we have that would lead us on a road of tolerance, and teachers have decided that if you're going to teach values in a school in America, the answer that American teachers at all kinds of schools have come up with, just let Harper Lee teach "To Kill A Mockingbird." And then all the teacher has to do is stand back and guide the discussion.
I came home one day and Nick was in his bedroom reading 'To Kill a Mockingbird,' and the tears were just flowing down his cheeks, at the terrible injustice that was being described in that book and the bravery of fighting against it.
There's always something that's going to kill us all. A few years ago, tomatoes were going to kill us and a few years before that it was spinach. The FDA is run by a 7-year-old kid that hates vegetables!
In 'To Kill a Mockingbird,' I was just playing and having a good time.
I was a kid who was really unhappy with being bussed. I was one of the angry people in the halls.
Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.
I transitioned into theater and acting when I was about 9, community theater and musicals, being, like, chorus-kid-number-78 or whatever. But I just loved it. As a kid you just crave attention, and early on I just felt it was so cool and fun to play around and have people clap for me. But eventually I grew up and fell deeper into it.
I worked at The Old Globe Theater under the great baton of Craig Noel. One of the great theater heroes that we have. He was so great and so inspirational. I think I did 'Antony and Cleopatra' and 'The Taming of the Shrew'. I lived in Ocean Beach, and my rent was $140 a month.
I've become one of those people who prowl around at night in their cars. God, I am the town's Boo Radley, just like in To Kill A Mockingbird.
The young cast that's coming in now, Dylan Sprayberry and Khylin Rhambo, they're great! Dylan Sprayberry came out to surf with me a couple of weeks ago and he's such a good kid and he's a kid! I mean he's 16 years old, and you forget the energy and the dynamics and the mindset of a real 16-year-old. It's just beautiful! It's limitless energy and just a whole different kettle of fish. I think that they're a great addition to the show.
I first read Harper Lee's 'To Kill a Mockingbird' as a teen in school, like you did. I read the book alone, eating lunch at my locker, neatly scored oranges my mother divided into five lines with a circle at the top, so my fingers could dig more easily into the orange skin. To this day, the smell of oranges reminds me of 'Mockingbird.'
This case is just as racist as the fictional, but unfortunately all too typical case, in 'To Kill a Mockingbird'.
Ideally, I'd prefer never having to be in a test-screening environment. Some famous director said "The group is smart, the individuals are stupid," about the experience of a test screening.
Remember it’s a sin to kill a mockingbird.
I have never read 'To Kill A Mockingbird.'
'To Kill a Mockingbird' wasn't about me.
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