A Quote by Raymond E. Feist

The issue of the Betrayal was so central to that, I felt the need to comment upon it. My choices were to ignore the games and put them 'outside' of continuity or to integrate them. I chose the latter.
The starting point and the ending point are nothing but two arbitrary choices. You make them as in soccer games, where they chose that it's 90 minutes, not less and not more. But the choices are the responsibility of the filmmaker. You have to choose to join the story at an arbitrary point, and you leave it at an arbitrary point.
When I got Jacob's Latter, I was nervous because I felt I wasn't allowed to fail. I felt that they were waiting for one little failure and that would prove them right and I'd be, 'out of there.'
The sad thing about our society is that women are put in one of two categories. You're either in the beautiful category and you're seen as sexy and beautiful, or some version of that, or you're put into another category... The latter category affords women the opportunity to be smart, funny, independent, mean, strong, intelligent and opinionated. We take them seriously as politicians, if they fit into that latter category. We respect their opinions more and give them higher expectations. That latter category is what allows female actors to be characters.
I believe in the science. When you think about GMOs, I spend a lot of time on them, and I understand them. But I understand that my telling people on faith may not carry the day. They need to see it, understand it, [and we need to] arm them with facts, educate them, and let them make their choices.
My choices were to either give in and let them kill all of us or fight back with everything I had. I chose the second one, ’cause I’m just funny that way.
In my later novels, I systematically used the convention, and then a moment came - when did it come? With The Book of Illusions, maybe - I thought, I don't need them anymore, I don't need them, I want to integrate the dialogue into the text.
I made the decision to take on board the critical feedback. Reviews are something you can easily ignore as a performer or writer but I chose to not ignore them here and I think that I benefited. I think I'm stronger for it - and I have a tougher skin as a result.
If I were asked to chose between execution and life in prison I would, of course, chose the latter. It's better to live somehow than not at all.
When we feed people, we should only feed them healthy food. They go to the government because they don't have any other choices. So it's almost a betrayal when you know someone has no other choice but to eat what you give them, and you're giving them food that feeds their chronic diseases.
I see my parents as tiny children who need love. I have compassion for my parents’ childhoods. I now know that I chose them because they were perfect for what I had to learn. I forgive them and set them free, and I set myself free.
... as a slow-witted human being I have a very small head and I had better learn to live with it and to respect my limitations and give them full credit, rather than to try to ignore them, for the latter vain effort will be punished by failure.
Sometimes you need to encourage them sometimes even to comfort them, let them know I trust them. Sometimes you need to tell the truth, being more aggressive. That's management. I need to put the players in the best possible conditions.
We need to discuss what our own standards are for games writing that falls outside of journalism, and support experimental formats and routes of production that may be more tailored to them than the status quo, because the public at large seems to still think that the only games writing that exists are reviews and news.
All three of the leaders looked like they were surprised to be asked about housing. And really none of them had anything interesting to say. And so this is something we need to push hard on to ensure that they understand that our housing crisis is really a major economic issue. It's not a social issue; it's an economic issue.
Immigration is the issue that tells us who is with us and who is against us; there's no question about it. And it's very simple to understand why - half of all Latinos over 18 years of age were born outside the United States. It really makes no sense to attack them and criticize them if you want their vote.
Grandad taught me that the alien signs and symbols of algebraic equations were not just marks on paper. They were not flat. They were three-dimensional, and you could approach them from different directions, look at them from different ways, stand them on their heads. You could take them apart and put them back together in a variety of shapes, like Legos. I stopped being scared of them.
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