A Quote by Raymond E. Feist
I keep threatening to write a non-fantasy book, and they keep offering me the kind of money I can't refuse to write a fantasy. That's a good thing. I have to pay my mortgage, and I have to pay for my Chargers season tickets.
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If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
I just try not to think too much about how I'm perceived. I think as long as I'm still selling tickets and can pay my mortgage, then people are probably thinking good enough things or whatever about me to keep the train moving.
I find fantasy easier to write. If I'm going to write science fiction, I spend a lot more time thinking up justifications. I can write fantasy without thinking as much. I like to balance things out: a certain amount of fantasy and a certain amount of science fiction.
Of course you are. Then you're going to give me multiple orgasms and pay off my mortgage too. I saw this movie, pal. It was in the fantasy section. (Isa)
The same with the mortgage brokers that were selling people mortgages they couldn't afford. We shouldn't pay them on each mortgage they write. They should have what they call "skin in the game," where they've got to reimburse us if the guy who sold the mortgage defaults.
There is a part of me that has to depend on fantasy, because if you can't be somewhat of a fantasy person, then you can't write
It's easier for me to write certain character types because of my own life experiences, but I find it too artistically limiting to only write about red-headed kids who grew up in small town Montana. That's really part of the fun of fantasy, I think. Our imagination is basically unlimited. Okay, that's a terrifying thing about fantasy, too.
I really can't write fantasy. I cannot invent a world which does not exist. And I can't read fantasy either. As soon as I realise I'm reading a book that hasn't got its roots in a reality I can comprehend, I switch off.
I've always really loved big worlds and the kind of worldbuilding where you can open a portal into a new realm that feels full and complete. At the same time, I also really love history. So the combination of big worlds and history draws me directly into fantasy. Well, it should turn me towards historical fiction but I'm such a perfectionist about research that I'm not sure I could ever write a book in that genre properly. In fantasy, you have to have the same level of precision, but it's not as research-based. Plus, I get to write my little info sheets and draw my maps.
The way I write things, I just write them with a clash between reality and fantasy mostly. You have to use fantasy to show different sides of reality; it's how it can bend.
'Shadow and Bone' was my first book, and I think I was unconsciously echoing a lot of the fantasy that I had grown up with, which sets a kind of default for straight white characters. And that's something I've tried to improve on as I write, to write more authentically and reflect the people around me in the world, around me more realistically.
If you have loans, the first thing you want to do is say, "Okay, look I have a credit card, if I really need to borrow, I have this emergency money that I can get, but for now there is no reason for me to keep cash at zero percent interest rate and at the same time, pay all of this money out. So, I think people need to figure out quickly how to pay loans and how much cash they should really keep.
The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.
I wish more fantasy, especially the dominant fantasy that draws heavily on British and Christian lore, would wrestle with its own ethnospecific nature and what that means when the story is set somewhere where more than one belief system is in operation. If all you do is pay lip service to it, you can get the kind of thing where the writer has thrown one Hindu god into a Christianist fantasy (rendering said god by default a demon or otherwise inferior to the dominant religious system of the story, which is such an insult), and the hero is able to vanquish it by chanting a spell in church Latin.
I write a kind of surreal fantasy, but they can't put 'surreal fantasy' on a paperback.
There has been a lot of bad fantasy in the past - I'm by no means saying that all classic fantasy out there is bad - but there has been a lot of bad fantasy written by people who read a lot of fantasy and so all they keep doing is recycling it.
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