A Quote by Raymond Ochoa
I love being able to bring an animator's vision to life and give the breath to the voice of a character.
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I would love to have a complete family. I'd love to do it all at once. I'd love to be able to give to my children what my parents were able to give to me. And if I'm blessed to be able to do that, fantastic. If I'm not, then life goes on. You have to do the best you can. I do think we have to bring the family back; I do.
It's nice to be in the position where you're the guy with the vision, but you're able to work with people who can bring your vision to life - and then some.
It's a different way of getting across an emotion. You're trying to get it across to the animator because the animator is inspired by the voicetrack in terms of how to animate the character.
I think," Tehanu said in her soft, strange voice, "that when I die, I can breathe back the breath that made me live. I can give back to the world all that I didn't do. All that I might have been and couldn't be. All the choices I didn't make. All the things I lost and spent and wasted. I can give them back to the world. To the lives that haven't been lived yet. That will be my gift back to the world that gave me the life I did live, the love I loved, the breath I breathed.
I love it and it is a blessing to be able to have seventy-five to eighty episodes to develop a character and find your voice. You have a similar through voice, and yet you are making different decisions, and so you act differently and you make different choices, as that is what your character would do.
There is nothing like being able to develop a three-dimensional character over a long period of time. Sometimes you aren't able to fully portray a character because you only have a couple of scenes to do it in, and you don't get the full life and background of that character.
I had a very low voice for the character in the show. I said, "That's not actually my voice. That's the character's voice." I'm being such an actor.
We use wrestling moves to tell a story but it boils down to the character and being able to bring either love or hate out of your crowd.
I love being able to create something from the page and bring it to life.
The leaf fall of his words, the stained glass hues of his moods, the rust in his voice, the smoke in his mouth, his breath on my vision like human breath blinding a mirror.
In voiceover, all you have to worry about is your voice and practicing with your voice and then being able to understand what the situation and whatnot is happening. And you have endless amounts of film to perfect the character.
For me, one thing I love is having an arc for a character. I love being able to see a character go through something and to learn.
We go into a relationship looking for love, not realizing that we must bring love with us. We must bring a strong sense of self and purpose into a relationship. We must bring a sense of value, of who we are. We must bring an excitement about ourselves, our lives, and the vision we have for these two essential elements. We must bring a respect for wealth and abundance. Having achieved it to some satisfactory degree on our own, we must move into relationships willing to share what we have, rather than being afraid of someone taking it.
Reputation is seeming; character is being. Reputation is manufactured; character is grown. Reputation is your photograph; There is a vast difference between character and reputation. Reputation is what men think we are; character is what God knows us to be. Reputation is seeming; character is being. Reputation is the breath of men; character is the inbreathing of the eternal God. One may for a time have a good reputation and a bad character, or the reverse ; but not for long.
I love trying to give some flesh to rather naked bones sometimes. I've always felt it my duty and to try and bring on the character's off-stage life, what happened that is not revealed.
To choose the ideal voice for a character is to give a character an ardent and vivid life, to allow him or her to speak, rather than speaking for them, in an older style of omniscient narration.
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