A Quote by Raymond Pettibon
If you don't use an image now you might have a place to put it in further down the line - and I have a lot of unfinished drawings.
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All my work begins with drawings. I don’t labor over my drawings. I want to get freedom in the line. I like to be able to get swift curves in the plant drawings that are usually drawn in five to ten minutes.
Somehow I felt that if Fox Talbot had had more time and more drawing talent, he would have filled in the interval between his two drawings and made a complete panorama. Now, 163 years later, I was able to use his great invention to elaborate on his youthful dream of capturing and fixing the fleeting image. In doing so, I may also have added another little bit to the soul of this extraordinary place.
Before he did all those lovely line drawings, Matisse would make really detailed charcoal drawings and tear them up. He wouldn't leave them about... I understand what he was doing: discovering what's there... to make the line meaningful, to find a linear solution.
It is the strain of walking around the world-down the street, riding city buses and elevators, moving from place to place to place-and not knowing who might want to destroy you, who might like to fill your heart with poison, who might rob you and stab you, who might stand above you in the dark with a tarantula.
We looked into the abyss if the gold price rose further. A further rise would have taken down one or several trading houses, which might have taken down all the rest in their wake. Therefore at any price, at any cost, the central banks had to quell the gold price, manage it. It was very difficult to get the gold price under control but we have now succeeded. The US Fed was very active in getting the gold price down. So was the U.K.
If we say yes to something we believe is wrong now, what guarantee is there that the wrong will not be further exacerbated down the line?
The image people have of comedians staring defiantly over a stationary line of good taste is simply inaccurate. We don't approach this line, put our toes over it arrogantly and then scamper back to safety. The line doesn't exist.
People are constantly trying to make an image for you. They`ll dress you up and tell you to pose a certain way and take all these pictures... they want a certain image, so they create that. And unless you`re spending a lot of time to create another image to counteract that image, theirs will win. So right now, I`m kind of dealing with a lot of false ideas of what I`m about.
It's fun to sit down and do a few drawings, but when you have to sit down and do hundreds of drawings whose value only depends on getting to the end of the chain, then you've created a different kind of monster.
In this sport, in this life, I think heart takes you a lot further than skill and technique... Just digging down deep will take you a lot further in life.
[Indira Gandhi] looked tired that day, and all of a sudden I exclaimed, 'Deep down I don't envy you, and I shouldn't like to be in your place.' And she said, 'The problem is not in the problems I have, it's in the idiots around me. Democracy, you know...' I now wonder what she meant by that unfinished phrase.
When I get on a roll with something, it's really hard for me to put it down unfinished.
When they had eventually calmed down a bit, and had gotten home, Mr. Duncan put the magic pebble in an iron safe. Some day they might want to use it, but really, for now, what more could they wish for? They all had all that they wanted.
I feel Aleister Crowley is a misunderstood genius of the 20th century. Because his whole thing was liberation of the person, of the entity, and that restrictions would foul you up, lead to frustration which leads to violence, crime, mental breakdown, depending on what sort of makeup you have underneath. The further this age we're in now gets into technology and alienation, a lot of the points he's made seem to manifest themselves all down the line.
When I was young, I colored in the line drawings in vintage editions of the Oz books that had been handed down through generations in my family. This was a bad thing to do.
The experienced illustrator subscribes to the principle of the application of the seat of the pants to the seat of the chair. Should inspiration whisk down your chimney, be at your table. The first ten thousand drawings are the hardest. Put another way, you have ten thousand bad drawings within and should expel them as quickly as possible.
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