A Quote by Raymond Pettibon
I don't feel that I decided deliberately I'm going to write something and have it stand alone. Somewhere by the end I think it would probably revert to imagery.
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When you have decided what you believe, what you feel must be done, have the courage to stand alone and be counted
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
You can just keep going and going and going, and you never get to the end of it because there is no end. The ending is a beginning. If you feel like that, then you accept that wherever you have to stop on this journey, you continue in some other form somewhere else.
I had self-doubt about whether my story was interesting to people. I didn't want to write something that was anecdotal. It was important to me that people would get something out of my book. I want people to read it and say, "Now I don't feel so alone," or "I'm going to remember that next time I'm being an asshole."
Write down how you really feel, not how you wish you felt or how you think you should feel, but how you really feel. Don't try to change it. Honor it: "This is how I feel." Express it, and then it's not suppressed and stored somewhere in your liver or somewhere else.
I don't really wanna think about themes. I wanna just think about the experience of the movie. I feel like, as soon as I reduce it to a theme, once I write that sentence, it won't be that great. I feel like there's more potential for it to mean something interesting if I'm not forcing it to mean something I've already decided.
But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there.
I would say I'm a storyteller first, but game making is very wrapped up in how I think of story. If I were to have a story idea, and I decided to write a novel with it instead, I'd have to very consciously de-couple it from gamedom - for example, deliberately add in things that could not be represented in a game scene.
I do not think writers or anybody would sit down and think they must write about some cause, or theme, or something. If they write about their own experiences, something true is going to emerge.
If I decided to send this to you, where would I send it? When I think of writing the whole address on the envelope I am paralyzed. It's too painful to think of you in the same place with your life going on in the same way, minus me. And to think of you not there, you somewhere else but I don't know where that is, is worse.
I'm afraid that I'm either going to have to write myself something or direct something if I'm going to get somewhere.
I write in my own journal when something extraordinary or funny happens. And there's some nice imagery in there. I don't think of what to do with it.
You can't write something actively trying to please everyone - you're going to end up with watery soup that way. You just have to write stories you would want to read and hope that people like them.
The truth is, all products - mine included - will take you away from yourself. You can listen to this music and think its pretty cool - or not - but the only thing that's going to save your soul is going somewhere alone and staying in that place for a while. Do something for yourself.
Alone, human beings can feel hunger. Alone, we can feel cold. Alone, we can feel pain. To feel poor, however, is something we do only in comparison to others.
And so, when I was a young writer I always worked hard on imagery, and I knew that the roots of imagery were the senses - and that if my readers could feel, taste and see what I was talking about, I would be able to tell them a story.
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