A Quote by Raymond Pettibon
Most writers do similar things in their minds. It's how the mind works, basically.
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The human understanding is moved by those things most which strike and enter the mind simultaneously and suddenly, and so fill the imagination; and then it feigns and supposes all other things to be somehow, though it cannot see how, similar to those few things by which it is surrounded.
Stress is something that's created in the mind, basically. It's how we look at things. So ovr greatest defense against stress is the ability to change ovr minds; to change ovr thinking.
A stage play is basically a form of uber-schizophrenia. You split yourself into two minds - one being the protagonist and the other being the antagonist. The playwright also splits himself into two other minds: the mind of the writer and the mind of the audience.
Because most writers have totally unrealistic concepts of how publishing works.
I believe you have to write every day–make the time. It’s about having an organized mind instead of a chaotic and untidy one. There is a myth that writers are bohemian and do what they like in their own way. Real writers are the most organized people on the planet. You have to be. You’re doing the work and running your own business as well. It’s an incredibly organized state. [Also reading]…one of the things reading does do is discipline your mind. There are no writers who are not readers.
One of the things the 'Tao of Travel' shows is how unforthcoming most travel writers are, how most travelers are. They don't tell you who they were traveling with, and they're not very reliable about things that happened to them.
I like the idea all memory is fiction, that we have queued a couple of things in the back of our minds and when we call forth those memories, we are essentially filling in the blanks. We're basically telling ourselves a story, but that story changes based on how old we are, and what mood we're in, and if we've seen photographs recently. We trust other people to tell us the story of our lives before we can remember it, and usually that's our parents and usually it works, but obviously not always. And everybody's interpretation is going to be different.
I love television because it's the most alive, because you don't know how it's going to end. It's a living thing. Sometimes the writers are watching you to see how things will unfold. Sometimes the writers have written it, and you come to it, and they have to change their way of going because of what you've done.
Children, we are told to make an offering at the temple or at the feet of the guru, not because the Lord or guru is in need of wealth or anything else. Real offering is the act of surrendering the mind and the intellect. How can it be done? We cannot offer our minds as they are, but only the things to which our minds are attached. Today our minds are greatly attached to money and other worldly things. By placing such thoughts at the feet of the Lord, we are offering Him our heart. This is the principle behind giving charities.
The absolute things, the last things, the overlapping things, are the truly philosophic concerns; all superior minds feel seriously about them, and the mind with the shortest views is simply the mind of the more shallow man.
... life is broken down into these stages: you're born and you don't know how anything works; gradually you find out how everything works; technology evolves and slowly there are a few things you can't work; at the end, you don't know how anything works.
I think seeing is about truly looking, observing, and taking things in with an open mind. It's easy to see things at face value but some of the most beautiful things are not apparent at first glance. The works that stick with me and that I find to be most beautiful are often not aesthetically inviting right off the bat. So I think having an open mind and allowing the lines to blur between art, music, fashion, food, what have you, all leads to cultivating a much more open and enjoyable aesthetic sensibility.
I think one of things is that all fantasy it seems to me works the way your brain basically works. This is perhaps a startling concept, but I think it's true.
I know of three ways to recognize another writer: Writers are shamelessly nosy. Writers tell good stories, even about dumb old, daily things. On most writers, the earmarks of thrift, if not outright povery, are evident.
Most great writers suffer and have no idea how good they are. Most bad writers are very confident. Be willing to be a child and be the Lilliputian in the world of Gulliver, the bat girl in Yankee Stadium. That’s a more fruitful way to be.
I do gravitate toward 19th century writers, and I never mind being compared with some of the most memorable writers from that era. I mean, George Eliot is my absolute heroine.
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