A Quote by Raymond Queneau
After the magical act accomplished by Joyce with Ulysses, perhaps we are getting away from it.
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I think perhaps the greatest book ever written was Ulysses by James Joyce.
I've been working hard on [Ulysses] all day," said Joyce. Does that mean that you have written a great deal?" I said. Two sentences," said Joyce. I looked sideways but Joyce was not smiling. I thought of [French novelist Gustave] Flaubert. "You've been seeking the mot juste?" I said. No," said Joyce. "I have the words already. What I am seeking is the perfect order of words in the sentence.
I'm not sure which I dislike more: 'Ulysses' or the James Joyce estate. Admittedly, a few people have got some pleasure from 'Ulysses', but against that, you have to weigh the millions of lives that have been ruined by the futile attempts to read it.
The censors have always had a field day with James Joyce, specifically with 'Ulysses,' but also with his other writings. The conventional wisdom is that this is because of sexually explicit passages (and there certainly are those). I have always thought that what the critics hated and feared about Joyce is his cry for human freedom.
To live with the work and the letters of James Joyce was an enormous privilege and a daunting education. Yes, I came to admire Joyce even more because he never ceased working, those words and the transubstantiation of words obsessed him. He was a broken man at the end of his life, unaware that Ulysses would be the number one book of the twentieth century and, for that matter, the twenty-first.
You should approach Joyce's Ulysses as the illiterate Baptist preacher approaches the Old Testament: with faith.
In 'Dublinesque', Spanish writer Enrique Vila-Matas inverts the terms of Joyce's 'Ulysses' and tells the story of a man who, after living a hyperkinetic life like those of Odysseus and Leopold Bloom, resolves to never leave his room again and to reduce his mental activity to a minimum.
James Joyce is a cul-de-sac. [Ulysses is] ... an example how literature branched out and went into, lost itself in nowhere, no man's land.
Mann and Joyce are very different, and yet their fiction often appeals to the same people: Harry Levin taught a famous course on Joyce, Proust, and Mann, and Joseph Campbell singled out Joyce and Mann as special favorites. To see them as offering "possibilities for living", as I do, isn't to identify any distinctive commonality. After all, many great authors would fall under that rubric.
One of the things that I find most incredible about dad is the third act of his life.After all he accomplished in his professional career and what he's given for his country, at the point in his life where he's faced adversity, losing a son, having a helicopter crash, having a stroke, and what he's accomplished in this third act in his life, I find quite extraordinary.
As a teenager, I was undeveloped and out of touch. The arts was another arena in which to do combat and challenge myself. I read difficult books like James Joyce's 'Ulysses,' but I didn't really understand it, and no one was going to call me on it because I was 16.
Because the great thing about fairy tales and folk tales is that there is no authentic text. It's not like the text of Paradise Lost or James Joyce's Ulysses, and you have to adhere to that exact text.
The well-known inspiration for 'Ulysses' is made clear by the title itself: Joyce's novel is based on Homer's 'Odyssey', under the ever-fascinating premise that all of Odysseus' extraordinary adventures can be experienced by a modern man in a single day, provided that the writing consists of his mental activity.
In one particular chapter in Ulysses, James Joyce imitates every major writing style that's been used by English and American writers over the last 700 years - starting with Beowulf and Chaucer and working his way up through the Renaissance, the Victorian era and on into the 20th century.
Perhaps nothing is more magical then the book. Paper, glue and some words and you are taken away from where you sit, stand, dance, or lean.
It is not knowledge, but the act of learning, not possession but the act of getting there, which grants the greatest enjoyment. When I have clarified and exhausted a subject, then I turn away from it, in order to go into darkness again; the never-satisfied man is so strange if he has completed a structure, then it is not in order to dwell in it peacefully,but in order to begin another. I imagine the world conqueror must feel thus, who, after one kingdom is scarcely conquered, stretches out his arms for others.
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