Fiction has consisted either of placing imaginary characters in a true story, which is the Iliad, or of presenting the story of an individual as having a general historical value, which is the Odyssey.
I was more worn out with the "Odyssey" than it was with the "Iliad." I mean, just comparing those two - you can see how it's changing, how the language of the "Iliad" is somehow monstrously new - and that language of the "Odyssey" is more comfortable, even for us.
It doesn't seem to me that anyone has discovered much that's new since the Iliad or the Odyssey.
The Odyssey is, indeed, one of the greatest of all stories, it is the original romance of the West; but the Iliad, though a magnificent poem, is not much of a story.
The ancient world is always accessible, no matter what culture you come from. I remember when I was growing up in India and I read the 'Iliad' and the 'Odyssey.'
The Odyssey and Iliad say things about the human condition in ways we should re-acquaint ourselves with, and use as a prism to interpret though.
Be that blind bard who on the Chian strand, By those deep sounds possessed with inward light, Beheld the Iliad and the Odyssey Rise to the swelling of the voiceful sea.
I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times.
Go over to Greece with the Iliad and Odyssey. These have elements of history, and they have non-historical elements. It's very difficult to pull them apart. And I think there's not much reason to.
'The Odyssey' is the great tale, and I was really taken by 'The Iliad,' so I dig into those things, and when I was a kid I didn't. You've gotta have a certain level of understanding yourself before that stuff really starts to resonate.
No ancient story, not even Homer's Iliad or Odyssey, has remained as popular through the course of time. The story of Rama appears as old as civilization and has a fresh appeal for every generation.
Epic stories, especially 'quest narratives' like 'The Iliad' and 'The Odyssey,' are brilliant structures for storytelling. The quest lends itself to episodic storytelling.
When I was nine, I started reading Homer. I would get up at four o'clock in the morning, before I had to go to school, in third or fourth grade, and, for several hours, I would read 'The Iliad' or 'The Odyssey.'
The two greatest works of war mythology in the west ... are the Iliad and the Old Testament... When we turn from the Iliad and Athens to Jerusalem and the Old Testament we find a single-minded single deity with his sympathies forever on one side. And the enemy, accordingly, no matter who it may be, is handled... pretty much as though he were subhuman: not a "Thou" but an "It."
My wife, Lisa, and I both grew up on wuxia - Chinese historical romances. They're kind of analogous to Western epics. They're based on history, just like 'the Iliad' and 'the Odyssey' are based on history, but they're romanticized, and a lot of fantasy elements have been added.
For all the import and message of 'The Iliad,' it's ultimately a story that's meant to be heard, and the person hearing 'The Iliad' determines what it means.