A Quote by Raymond Williams

On the country has gathered the idea of a natural way of life: of peace, innocence, and simple virtue. On the city has gathered the idea of an achieved centre of learning, communication, light. Powerful hostile associations have also developed: on the city as a place of noise, worldliness and ambition; on the country as a place of backwardness, ignorance, limitation. A contrast between country and city, as fundamental ways of life, reaches back into classical times.
A contrast between country and city, as fundamental ways of life, reaches back into classical times.
When I'm doing a store in a country, I always like to consider the concept of the country and the city. Ask what are the clothes of the city, what does this city represent for me?
The country is the place for children, and if not the country, a city small enough so that one can get out into the country.
What can one say about a country where a museum of science in a great city can feature an exhibit in which people fire machine guns from a helicopter at Vietnamese huts, with a light flashing when a hit is scored? What can one say about a country where such an idea can even be considered? You have to weep for this country.
The conditions of city life may be made healthy, so far as the physical constitution is concerned; but there is connected with the business of the city so much competition, so much rivalry, so much necessity for industry, that I think it is a perpetual, chronic, wholesale violation of natural law. There are ten men that can succeed in the country, where there is one that can succeed in the city.
In place of a world, there is a city, a point, in which the whole life of broad regions is collecting while the rest dries up. In place of a type-true people, born of and grown on the soil, there is a new sort of nomad, cohering unstably in fluid masses, the parasitical city dweller, traditionless, utterly matter-of-fact, religionless, clever, unfruitful, deeply contemptuous of the countryman and especially that highest form of countryman, the country gentleman.
New York is part of the natural world. I love the city, I love the country, and for the same reasons. The city is part of the country. When I had an apartment on East Forty-Eighth Street, my backyard during the migratory season yielded more birds than I ever saw in Maine.
I've spent most of my life in L.A. and I'm still amazed at things that I don't know about the place. There are a lot of places I've never been to yet and I may never even make it. There's so much here and there's so much of a variety in terms of culture now. It's amazing. It's all here in one big city. In a lot of ways, the city is unique in the world because it's hard to find another city that has the diversity and range. It's a microcosmic planet, if you look at it that way. And in that sense, it's very much an experimental city.
Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.
When we go city by city, country by country, the majority of our hosts, our owners, are simply renting out their spare bedroom.
Delhi is a very maligned city, and deservedly so. Yet there's something about it. It's a secret city, it doesn't hang out its wares. It's like a very deep river. Floating right up on top are the institutions of contemporary power: government, politics, media, and then there's the bureaucracy, the diplomatic missions. But it's also the city of intellectual debate, of protest, it's the city where people from all over the country converge to express their anger. And then, underneath all that, there's this crumbling, ancient city, a confluence of so much history.
Ranchi is a much better place than Mumbai or any other big city in the country. People here are simple and open-minded.
There is a city myth that country life was isolated and lonely; the truth is that farmers and their families then had a richer social life than they have now. They enjoyed a society organic, satisfying and whole, not mixed and thinned with the life of town, city and nation as it now is.
Noise is manufactured in the city, just as goods are manufactured. The city is the place where noise is kept in stock, completely detached from the object from which it came.
I want to live in a country that is not just a place but also an idea, and Jerusalem is the heart of the idea. There may be practical considerations, but a country cannot exist without an ethos, and Jerusalem is an ethos.
I have always thought, "If the city cannot come to the country, then the country must come to the city."
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