A Quote by Raymond Williams

Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, areeffectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.
A record is a commodity, but so is a hamburger. Just because I work at McDonald's doesn't mean I reap the benefits of that commodity. That's the reality with most artists in the record industry: They're getting paid a subsistence wage so they can keep producing a commodity for the record label.
Unfortunately, we have to dial down low-skilled immigration. We have to recognize that there is more unemployment among the lesser-skilled workers than among the most-skilled workers.
At one point cinema and photography weren't treated as art. Now it's crazy to think they're not. The key question is "What is art today?" The most important artists of the last 20 years are Steve Jobs and Jonathan Ive, because the influence they have had is incredible and they've changed the world. That is art.
Some people in the art world bemoan the hedge fund millionaires spending freely to acquire ostentatious displays of wealth and coolth for their giddily chic designer duplexes. Others bemoan art being treated as a commodity. But most of the bemoaning is because the art world is stuffed full of bemoaners, bemoaning about everything.
As long as energy is treated as a commodity, not a right, poor people, workers, and communities of color will suffer.
What is it about a work of art, even when it is bought and sold in the market, that makes us distinguish it from . . . pure commodities? A work of art is a gift, not a commodity. . . works of art exist simultaneously in two “economies”, a market economy and a gift economy. Only one of these is essential, however: a work of art can survive without the market, but where there is no gift, there is no art.
Most of intellectuals are false prophets, flatterers of the court. The real prophets are the exception and treated badly. How badly they're treated depends on the society. Like in Eastern Europe, they were treated very badly. In Latin America, they were slaughtered.
As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful.
Black magic operates most effectively in preconscious, marginal areas. Casual curses are the most effective.
In most every other country, 'body flying' more commonly known as BASE jumping is legal and looked upon as a beautiful art. Here in the United States, those of us who pursue human flight are treated as criminals and are forced to travel abroad to seek one of man's most fundamental desires, to fly free.
Freaks are called freaks and are treated as they are treated – in the main, abominably – because they are human beings who cause to echo, deep within us, our most profound terrors and desires.
My father was a certain kind of man - I saw how he treated my mother and his family and how he treated strangers. And I vowed I would never make a film that would not reflect properly on my father's name.
Some of the most unhappy artists in the most difficult situations can create awe-inspiring works of art.
What is reflected in the way this behavior is happening - in the way that minorities are treated, and the way that the incarceration system works, and the way that even the police are treated, and the way they're paid, and the way they're trained, and the whole educational system.
I would like to remind you that both assimilation and integration apply to the working classes in the nineteenth century, at least in Britain and also Germany. Like most outsider groups compared with the establishment, the working classes were treated more or less with the same kind of stigmatization as immigrant groups are treated today.
College athletes are workers, period. They are skilled and disciplined young people who deserve so much more than to be treated, in many cases, as sources of revenue without autonomy or ownership over their labor and value by the colleges and universities they attend.
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