A Quote by Raza Jaffrey
Some actors - myself included - like to know where your character's going: you like to know what the arc is for the character so that you can plan where you're going to give beats for this, that, and the other and give the audience what they want. But on 'Homeland,' you do the opposite.
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You can't plan your character arc - you have a vague idea, maybe, but I'm constantly surprised. Sometimes actors in films will play the ending of the movie, or even the middle, and you know where it's going - as an audience member you can read the actor.
As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch. They're going on the journey with you, as the actor and the character.
As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch.
I was kind of scared at first to do that [vice-over] because when you're on set, a lot of the things going on around you - the environment and playing off other actors - and that's what makes it easier and helps you to be in your character. So, realizing you're not going to have that and you're going to be secluded in this booth, it's like, "How am I going to be a character when I'm just in these walls?"
Losing builds character. So, if you're the loser in your family, don't worry. 'Cos twenty years form now, that perfect can do no wrong brother of yours is going to show up at your house, bald, fat, divorced, with six kids who all hate him and he's going to ask you for money. And because of your character, you're going to look him right in the eyes and you're going to say, You know what, I'll give you some money. If you mow my lawn and detail my car. Oh yeah, then you can shampoo the tail. Loser.
In real life, you don't know what's going to happen to you, so why would your character know? It's liberating to play the emotion your character is feeling at the time and not know what's coming up. I like it.
I like when an audience doesn't know what's going to happen to a character, and I like when I don't know. I'm learning, too - I don't get the script, like, until the last day.
There are some actors that want you to call them by their character's name and they have no relationship with you outside of the character. But I like to get to know who I'm working with so that we can relax together, and it's more fun.
So you know when you were work on Man of Steel, in 10 years somebody is going to do the music for Man of Steel, and a different director is going to be doing Man of Steel. That’s the reality. So all you can do is to give it not only your best, but your vision on what this character is, when you become one with that character.
I love the idea of seeing a character - I mean, there's nothing like seeing a character and having the huge detail and roundness that a character in a book can give you. It's so much more full than a character in a script can give you, isn't it?
When I take on a character, it's a sacrifice. There's something that you give up every time. I want to become these characters, and I want to be mysterious, but if you know too much about me, it's not going to be too much fun watching me play a character, because it's just going to be me with a mask on, instead of you believing what the mask is.
I want to be true to the character and maintain some consistency and give the audience what they love while at the same time keeping things fresh and grow the character.
The script that I fell in love with and adored was 'Jane the Virgin'... but every line in the pilot was essentially, 'Why did you keep my daughter a secret all of these years?' I didn't know any direction my character was going - was it going to be a dramatic character, a comedic character? - I didn't know.
I'm just going to get out there and on court, give it my all and that's what I want to do every day. That's what I want to be known for, and that's what I want other players to know about me, that I'm never going to give up.
There's this thing in TV that I find hysterical where the writers and creators will ask us if you want to know what happens to your character or if you want to experience it episode by episode. In the theatre, we always know the ending; we always know where the character is going.
I was nervous when I first started True Blood because if you do a play or a movie, you know the complete arc of the character. You can see the end. But with a show like True Blood, you don't know what's going to happen.
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