A Quote by Raza Murad

When I joined the industry there were mafia like Haji Mastan and Vardharajan. They had a healthy relationship with film stars. Their men never came calling for 'petis' and 'khokas.' In fact they used to felicitate film personalities.
Yet there are film stars like Amitabh Bachchan, Dharmendra who never allowed the mafia to dictate terms to them. But starlets like Monica Bedi used the mafia connection to win stardom and is now paying heavily.
I naively thought I was making a low-budget movie. But, when the film came out, the Daily Variety reviewer at that time who was named Art Murphy described it as an exploitation film. I had never heard that term before. Roger never used it. So that's how I learned that I had made an exploitation film.
The problem is we never had a separate music industry, we always had film music industry. The west has it and that's why musicians are stars and icons there.
My connection to 'Aquaman' came out through the Sony hack. It had no relationship to reality. I was not on that film. I was not hired to work on that film. I had been talking to Warner Bros. about it.
I did face the casting couch when I had gone to sign a film; but I don't want to name the person. Most people in the film industry are like that. But thankfully, the television industry has been spared of it.
I want to become a serious politician like N T Rama Rao and Vinod Khanna who were from the film industry but joined politics and worked with utmost seriousness.
Stupidly, in our industry, producers pay precious money to sign stars whom they might not even use in the film. Producers believe stars make hits; actually it is the script that makes a film successful.
Nothing much has changed after I joined the film industry. I follow the same diet and fitness routine that I used to during my modelling days.
There are few teachers from the film industry to guide newcomers. One can see a gap between the film industry and those teaching at film schools.
I find myself apologising for not being a proper actor. I never intended to be involved in the film industry and still do feel that, with the exception of a couple of brief skirmishes with the film industry.
I just remember when I came out of film school - and I loved film school - that the industry was such a mystery. How to break in, and once you are in, how to make a film; that is such a large undertaking. There are thousands of pitfalls.
When I entered the industry in the early 1970s, I was a gold medalist from the film institute, Pune. That was when graduates from the film institute were very quickly absorbed by the mainstream commercial industry.
Director Jai Krishna is an optimist who has a never-say-die attitude. He has impressed me thoroughly with his faith in the industry. Not many are aware of the fact that this man had to wait for almost 30 years in this industry to direct 'Vanmam,' his first film.
The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
Can a nation remain healthy, can all nations draw together in a world whose brightest stars are film stars?
'Cuckoo's Nest' was my first film, and I had wanted to do film for some time, but somehow I had not clicked. I would go in for interviews or readings, and I never had the sense that I was anywhere near what they were looking for.
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