A Quote by Raza Murad
For me 'Meet Mila De Rabba' is a very important project since it will break my on-screen villainous image and prove my versatility as an actor.
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I realise that certain actors project their own image onto the screen - those who are the same on as they are off. But I've never had the necessary statistics to be able to do that sort of thing, and so, anyway, I always wanted to be a character actor.
My whole goal in my film career is to project a positive image on the screen, that I hope people will enjoy watching.
People hold an image of you and project that image when they feel you are changing. Disappear for a while. Break up your routines.
My instinct is to keep people guessing. I think as an actor your greatest strength is your versatility, I suppose. The blanker the canvas, the easier it is to project the illusion of a character onto it. I think there are many actors who do that very successfully.
The image itself is kind of the least important factor to me, though I'm still interested in putting forth an interesting image. I see the image as the screen laid over top of what really interests me, which is that depth of surface and that filmic quality that it has when you pass the piece. The idea that my pieces look like paintings, but are most definitely not, is really interesting to me.
To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.
I don't think I have any set image, and I don't want one. If I think I'm getting a particular image, I try and break it. I find it very important to keep the audience guessing and keep them on their toes.
It is very difficult for us to establish identity in films. It is not easy to break through your stereotype image from television and form a new identity on the big screen.
When I took the decision to join City, Pep Guardiola's call was very important. He called me, spoke to me about the project, and explained that I was going to be an important part of it. I felt very happy. The prestige of Manchester City's shirt is also very important.
For me, as an actor, it is brilliant that I can do both song-dance films and also something like 'NH10.' It is versatility which every actor aspires.
If you give an actor a green screen, the shot may work, but that green screen will not inspire you on the set as a director or as an actor.
For me, everything is still possible and I am as determined as ever. I believe first that the project of a people does not die. It is the project of freedom for a people, it is a project of sovereignty. And since the nation exists, it has the right to its own state. I will work to advance it in that direction.
I screen tested for 'The Tudors' in N.Y. That was my first experience of N.Y., being flown here to screen test with Jonathan Rhys Meyers. So I have very, very fond memories of New York - New York helped give me my first big break.
[Alfred] Hitchcock was very interested in the image on the screen.As is any good cinema director. That is the language they speak. It is not literature, it is images on screen.
As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.
I can see that cinema seems to be finished. Everybody has a bigger screen at home. I'm assuming eventually you won't need a screen at all - these iPhones will just project.
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