A Quote by Rebbie Jackson

I was the last member of the family to get involved on the professional scene, although music has always been with me. — © Rebbie Jackson
I was the last member of the family to get involved on the professional scene, although music has always been with me.
Although I enjoyed writing Film Music it was always a means to an end, in that it enabled me to keep a wife and family and write my classical music, which has always been my passion.
My dad has always been involved in football, as both a manager and a player, although only at the amateur and semi-professional level. He was quite successful in our local area and definitely had a massive influence on me and my football development growing up.
My whole family is involved in the arts - my sister is a professional Bharatnatyam dancer, and my dad helps me out on the music business end.
I have been involved in music since 1972 when I started managing two artists from The Jimi Hendrix Band. My family has been involved in music for years, so it's kind of in my blood. I just wish I could sing!
I don't get involved with the music scene any more. It's just alien to me.
My parents didn't really restrict my movement, so I got involved in the underground music scene and the activism scene; I was doing some volunteering in food relief. I spent a lot of time throughout the city in poor areas, even though my family lived in a wealthy area.
If you listen to soul music, or R&B music, or Blues music, a lot of that came from church music and spiritual music, and music has always been a really really powerful tool that people have used to get them closer to God - whatever they define God as. And for me that's always been part of what drew me to it and keeps me coming back for more.
I really love my family. The more independence that I get and the more freedom that I have, the more interested I am in being a dedicated and involved family member.
My vision of punk rock was these dudes who were spitting on the audience and moshing. That's why I kind of left that scene. Then I see all these people around my same age or between 17 and 25 that were making music themselves in their own town. They weren't just singing, but creating. I see them putting out this music where there are tons of women involved in the scene and involved in the bands.
"St. Lucia We Love" is actually a song produced by Stratosphere music (also St. Lucian). The CEO of Stratosphere music approached me and wanted me to produce a music video for this song which was already a hit in my country. I felt privileged to have been chosen to do such a video. So every time I went out to shoot a scene from the video, I would get a still shot from the scene to tease the public. The photo of the amazona versicolor is is an actual scene from the video which was released on St. Lucia's Independence day (22nd February, 2013).
My parents eventually moved back to Brazil, so since then, it has been me and my wife, although they are always involved.
When you're watching a show like this or watching a movie, sometimes when you have big music in a scene, it tends to push the viewer out of the scene and makes someone feel like an audience member rather than like they're in the scene.
A psychiatrist once asked me to draw a picture of my family. This is when I was a member of a family of four. I drew the three other people in the family first, bodies and heads. And then, last, I began to draw myself - but gave up.
I was always keen to get involved in the school drama productions and was a member of the school choir. I was lucky to have attended schools that took music and drama very seriously and the teachers were just brilliant.
I like Costco. They got me to be an executive member, so I'm, like, a business class member. Somehow, I'm going to end up saving money or something. The thing is, I don't moderate very well, so I buy things that are supposed to be for a family or last for a week, but they never do.
I have been accused of being ignorant of economics (although I am the founder and Chairman of the Board of a company which publishes seven professional economic newsletters), of being ignorant of sociology (although I am trained in sociology and was C. Wright Mills' research assistant at Columbia), of being unable to use statistics (although I earned my living as a professional statistician for five years) and of ignoring political factors (although all my graduate training was in political science).
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