A Quote by Rebecca Eaton
There's a new television generation coming in every five or 10 years, and the classic stories stand up to being redone.
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The generation I grew up in was the beginning of "stand up for yourself," whether being a singer-songwriter or a feminist. In my college years, the feminist movement was really coming to fore, so we wouldn't have put up with guys treating us less than equal.
The (Sir Arthur Conan Doyle) stories were great, for one. The thing that makes him a remarkable character is how he can withstand all of these different interpretations and different styles and, that's what makes a classic character a classic character; they keep coming back and you see them in a new way every time.
We had the fun of being outlaws. But there's a whole generation now coming up with new gender identities. For this generation of kids who don't think that being gay is anything special, they might be more interesting than any of us.
Today's children are living a childhood of firsts. They are the first daycare generation; the first truly multicultural generation; the first generation to grow up in the electronic bubble, the environment defined by computers and new forms of television; the first post-sexual revolution generation; the first generation for which nature is more abstraction than reality; the first generation to grow up in new kinds of dispersed, deconcentrated cities, not quite urban, rural, or suburban.
When I was in the business as a young performer, it was a recognised fact that when you got to 60 you were out, because there'd be a new crop of comics coming up all the time, every 10 years or so.
After five years in prison, five years on parole, and a total of 10 years of being in hell, I can look back on it all and say I played in four NFL games. It's incredible.
Sometimes I like to think that the responsibility of every new generation of Democrats is to devise a program that mints new Democrats for another seventy-five years or so.
I've been very lucky to work on a wide variety of projects, including two long-run and top-10 dramatic television shows. That is why it is so important to offer a helping hand to the next generation of young Latinos coming up behind me.
For the last five, 10 years, you're seeing the best things happen on television.
You have to have the ability to remake yourself. Whatever that is. Every several years... Every five to 10 years.
They held up 'The Outlaw' for five years. And Howard Hughes had me doing publicity for it every day, five days a week for five years.
I was coming from a theater background. I had an obsession with classic film and cool, interesting, intelligent television. I didn't really understand the way the mainstream television industry worked. I just thought "The wire is so good that it's going to be a huge hit, and we'll get awards up the yin-yang forever." That's what I thought!
It's my job, with the position of power that I'm in and being able to be on television, I'm supposed to stand up for the people who can't stand up for themselves.
I used to sneak up to the 8th floor and watch Eddie Murphy and Joe Piscopo rehearsing 'Saturday Night Live' and could only wonder if I would ever have the chance to be funny. It took me five years to go up the two stories, but it is such a sense of fulfillment to be able to show what I can do on national television.
I'd been acting and doing stand-up in New York about eight years, getting rejected, and I finally got the opportunity to do stand-up on Letterman, which holds even more importance for me. With comedians, that's definitely the pinnacle, but being from Indiana, it was a big to-do.
I have great admiration and respect for the editors, writers, and artists of the comic books. They're turning out, I don't know, maybe 100 Batman stories a year, and the character turns 70 years old in May. It's incredible: for 70 years, on a weekly basis, every Wednesday, there is some Batman story coming out, if not a bunch of Batman stories coming out.
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