A Quote by Rebecca Ferguson

You have to be really strong in the music industry, and I'm naturally very timid. That was really hard for me. You have to be tough. You have to make decisions and be a businesswoman.
The same applies to the music and film industries. Until the heads of the labels start wanting to make money rather than creating controversy, tension, and excuses about why piracy is making the job so hard that no one could do it but them - and oh by the way, they need a raise to really focus in on the fight - the music industry is going to have a very tough time of it.
I even have nephews who make music, my daughter makes music. I don't know what advice to give them these days. It's really a tough industry to break into.
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
Being hip, being popular, being cool, that's really easy. Until you have to make tough decisions. And when you have to make tough decisions, that veneer of coolness comes off real quick.
I'm in a crazy business. The music industry is really tough, and I fight for my life. I just want to make everybody happy.
Someone once told me: 'Luck is when opportunity meets preparation'. And that's what I really feel with my music. I've worked really, really hard on it. It was like, 'this is really what I want to do.. what do I have to do to make it work?'
You know, I think when you coach or you manage, you make decisions, and there's some that are really, really tough.
I want the Iraqis to understand that we are with them and that they have to make tough decisions, and we'll help them make those tough decisions for this country, for this democracy to survive. And they've made some tough decisions.
Just dwelling on the past, I think it's really important for me to surround myself with positive people and just work really hard and really make the most out of the opportunity that God has given me, being able to make music, which I always wanted to do.
When I first started, I wasn't really aware of anything in the industry or aware of who I really was. I just put my music out there and tried to get as many people to hear it as possible. I hadn't really thought about the kind of music I wanted to make.
There used to be a lot of industry in Montreal, and now there's not, so it's really easy to get huge, empty spaces where you can practice and make music or make art for very, very cheap.
For me, I don't really feel like I have any particular main influences or artists that I pull from; it's more of an underlying effect of such a big range of music that I love and I identify with - and all of that plays into what I do in minimal ways. I just really try to make music that reflects my identify, which is hard to pin down and is a lot of different things. I strive to make music that is hard to describe and meshes a lot of different genres, with the vocals being the thing that ties it all together.
Commanders-in-chief make really tough decisions.
My contacts with the film industry can be described in very simple terms: The industry does not really need me, and I do not really need the industry.
Yeah, I've always wondered what it would be like to make music that's not nostalgic at all, and it's really, really hard for me to imagine.
I never really planned on playing music. But it was a thing I'd always done, since I was young. So it just carried me away; I never really had to make a plan for it or make any decisions. It just sort of decided on me. And I don't know what the hell I would have done otherwise.
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