A Quote by Rebecca Ferguson

If you are not happy with the song, don't sing it. Simple as that - no-one forces you to do it. — © Rebecca Ferguson
If you are not happy with the song, don't sing it. Simple as that - no-one forces you to do it.
My song 'Smooth Operator,' I think that's a real simple, easy, sing-a-long kind of song. It's not too complicated.
Make it simple to last your whole life long. Don't worry that it's not enough for anyone else to hear. Just sing, sing a song
Writing a great song is not a simple task, but I feel like when everything comes together and you sing it in a certain way that no-one else can sing it, when it's written in a certain way that's perfect for the way that you're performing it, that those are the things that make a song great.
The song 'Hymnostic' is kind of a gospel song, and that song is really fun to sing with as many people as possible. And anyone can sing it, you know?
Basically, I didn't want to sing anything for the sake of singing it. There were some songs where I really wailed, but because it's such an intimate space anything I chose to sing simply to make sound was going to come off an inauthentic. So I was really happy with where it landed - every song I sang, I loved for one reason or another. I didn't have to worry about selling a song.
Sister Simplicitie! Sing, sing a song to me,-- Sing me to sleep! Some legend low and long, Slow as the summer song Of the dull Deep.
When I got to sit in Big Bird's nest with Big Bird and sing the song, 'Sing. Sing a song. Sing out loud,' that was my crowning achievement.
somebody/ anybody sing a black girl's song bring her out to know herself to know you but sing her rhythms carin/ struggle/ hard times sing her song of life she's been dead so long closed in silence so long she doesn't know the sound of her own voice her infinite beauty she's half-notes scattered without rhythm/ no tune sing her sighs sing the song of her possibilities sing a righteous gospel let her be born let her be born & handled warmly.
I like seeing someone that can sing jazz and then flip over and sing a pop song and then sing a rock song.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
Sure, I've thought about retiring, but in my mind, if you can't sing the song anymore, change the song and sing a different one!
I just sing the song and I sing it with conviction, meaning and I get into the mood of every song I do no matter how much time I have in between.
Here's a little song I wrote You might want to sing it note for note Don't worry, be happy In every life we have some trouble But when you worry you make it double Don't worry, be happy Don't worry, be happy now
I sang my song called "In This Song." David Foster wrote the song for me. I thought that I should sing a ballad song.
The basis of everything I do is down to the song. If I don't have the song I don't sing, and if I don't sing I don't perform.
Whatever be the depth of woe Along the path that I must go, I'll sing my song— My song of joy for all the love That's lavished on us from above, And count no loss of treasure-trove When things go wrong. I'll sing the sunlight, and the bright Soft smiling stars that gem the night; For gifts of good That God hath spread along my way, The lilt of birds in tuneful play, The harvests full and flowers gay, The whole day long I'll sing my song Of gratitude!
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