A Quote by Rebecca Ferguson

When I first studied Billie Holiday's life story years ago, I admit that I was quite judgmental. — © Rebecca Ferguson
When I first studied Billie Holiday's life story years ago, I admit that I was quite judgmental.
The first time I heard a Billie Holiday record, I thought, 'What's so great about Billie Holiday?'
I think my first musical memory is actually listening to Billie Holiday. I think I must have been, like, 3 or 4 years old.
I actually started the whole project some years ago with a live debut at Ancienne Belgique in Brussels. The focus was mainly on my favorite period of Billie Holiday, which was the late-50s Verve recordings, with essentially a small version of the Count Basie band.
I'm influenced a lot by Nina Simone, Stevie Wonder, even Paul Weller - Billie Holiday as well: People who wrote and sang songs that were reflective of their times. I quite like that. I quite admire that.
When it's all said and done, jazz with a capital J is where I'm coming from. Dexter Gordon, Billie Holiday, Miles Davis, Charlie Parker, Thelonious Monk - that's what I really studied when I was a teenager and what really fueled my passion.
I have the ability to sing with emotion and feeling, but if you say I sound like Billie Holiday, that's cool. Let's look at who Billie was: she was this person, this singer, this beautiful diva who could move the audience with the slightest gesture of her hand.
I can only say the first thing that pops into my mind is I remember, years ago, seeing kind of a has-been country singer working - when I first moved to Nashville - in a bar in a Holiday Inn.
The beauty of Billie Holiday is that she gave every singer after her the license to interpret and perform music in ways that were unique to each of us. Her uniqueness was very much a part of the way she sang the songs, the story she wanted to tell through the songs. I didn't really have a full understanding of Billie until I left home -- until I'd lived a little, shall we say. At different seasons of my life, when I'd sing her songs or listen to her albums, I'd hear things I didn't hear before. Wherever you are in life, you'll hear different things in her songs.
I love the idea of having a kid who says, 'Yeah, of course I knew about Billie Holiday and Johnny Cash when I was nine years old.'
I studied acting years ago; it was kind of a dream I had years ago, but I gave that up when I got married and had children.
The book is called 'Thanks for Nothing' and it's really the story of how I got into comedy and traces back every strand in my life that is relevant to that story. It's kind of an autobiography but isn't, as it stops about 25 years ago. It goes right up to the first time I do stand up.
I couldn't get away from the gramophone. It was the only thing that I ever really liked, and I was singing along by the time I was five years old - to the Modernaires and Billie Holiday and Frank Sinatra and Nat King Cole.
America's story is largely an immigrant story. That hasn't changed since the Pilgrims ate their first turkey some four hundred years ago, and they were the original boat people.
I had no desire to become a singer until I heard Billie Holiday. The first time I heard her on a record, it was a revelation. She sounded like a woman singing about herself.
When I was quite young I came across a collection of [Franz] Kafka stories and read "The Judgment." I was just floored by that story. I couldn't understand it. I still don't. I'm talking about something I read more than 50 years ago. That story left a little scar on me.
My mother used to play nothing but Billie Holiday.
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