A Quote by Rebecca Hall

Sometimes I can spend months doing things to make sure that my instincts work correctly, but ultimately it's still instinctive. — © Rebecca Hall
Sometimes I can spend months doing things to make sure that my instincts work correctly, but ultimately it's still instinctive.
[Warren Beatty] will sometimes spend hours on a very small detail to make sure he gets it right. After the kind of work that he's made, he certainly doesn't have to be doing that.
Doing a movie is a stressful thing. You spend months of you life focusing into that one project, and I want to make sure I do something I really like or I'm really passionate about.
Don't spend too much time planning, release early and often, some things will work, others won't, refine and move forward and above all forget the money, just make sure you love what you're doing.
One of the great things about being a grandparent is you get to redo what you didn't or couldn't do as a parent. Oftentimes we forget that even while the parent is parenting, they're still a growing person. They're still trying to fix themselves. They're still out there not doing everything a hundred percent correctly. I had the best parents I could ever have, but the kinds of things that they were capable of doing, the things that they said and did, were very destructive to my sister, brother, and me. But they're so much more than those things.
Often I don't know what the song means until it's finished. Sometimes months later. I don't think that's bad. It implies that I don't know what I'm doing but-I think if you're able to follow your instincts, then that's knowing what you're doing.
Sometimes I feel like I need to work, work, work to make sure that I put up enough money for the kids and make sure I secure finances so that we can be safe.
Some of my work is very instinctive, some of my favourite things I've ever done are just two minute sketches, nothing is better when you get it like that so quick, then other work takes months.
It's weird, sometimes I still see myself as just starting out. I tend to forget how much I've been doing, but in the beginning it is about the hustle, being out there and doing the work. Nothing is going to come to you, you have to get out there and do the work, and I've been doing that. But sometimes it's good to take a break and let these things air out. Reflect and take it in.
First rule of writing: When still a child, make sure you read a lot of books. Spend more time doing this than anything else.
There are times as an actor when you don't work for two months, sometimes three or sometimes six, and the only thing that's going to keep you sane is if you give back and live your life. I've definitely gone through that. It's like, 'Okay, I'm out of work for two months.' That's two months I can paint.
We`re doing everything in our power to make sure all the names are spelled correctly. We have up to eight weeks before they deliver the monument from Vermont to make any corrections in the spellings.
I can write for weeks or months sometimes and edit it down to a song. I feel like it's a piece of music that will hopefully stand the test of time and hopefully capture a moment in history if I'm doing it correctly and honestly.
I'd love to work on something that gets some type of critical respect. This business is sometimes so brutal - you work on something for months and really feel like the project is good and you're doing the best work you can, and then it just gets hammered by critics. It's such a bummer sometimes, because everything seems to build up to the release and a couple of bad reviews can make it seem like it was all a waste, which you know it wasn't.
We as producers need to keep an eye on things and make sure we're doing great stuff, which is sometimes easy to do because of the talent we have, and sometimes not so easy.
While green-screen work, find a way to stay true to whatever it is that it takes to act a scene out, and make sure that you use your imagination as best as you possibly can, still stay loose, and still allow yourself the liberty of doing what you need to do as an actor, and then work within the confines of what is actually possible.
The woman who fights against her father still has the possibility of leading an instinctive, feminine existence, because she rejects only what is alien to her. But when she fights against the mother she may, at the risk of injury to her instincts, attain to greater consciousness, because in repudiating the mother she repudiates all that is obscure, instinctive, ambiguous, and unconscious in her own nature.
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