A Quote by Rebecca Hall
I daydream about things I want to happen, but none of it is more complicated, most of the time, than just really hoping that the good parts and the well-written parts are the ones that turn up on my doorstep.
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Most programming languages contain good parts and bad parts. I discovered that I could be better programmer by using only the good parts and avoiding the bad parts.
To me, the coolest riffs are composed of two guitar parts that interlock like gears. You need both parts to make whole. I work things out on an electric that's not plugged in to make sure a good tone isn't forgiving a part that couldn't stand up naked. Only after the parts are written will I struggle to find a tone that supports the creativity.
I turn the good parts up and the bad parts down
When we turn the Bible into an adjective and stick it in front of another loaded word, we tend to ignore or downplay the parts of the Bible that don’t quite fit our preferences and presuppositions. In an attempt to simplify, we force the Bible’s cacophony of voices into a single tone and turn a complicated, beautiful, and diverse holy text into a list of bullet points we can put in a manifesto or creed. More often than not, we end up more committed to what we want the Bible to say than what it actually says.
One of the most frustrating parts about songwriting for me is production, but it makes me want to get better at it and ends up being one of the most rewarding parts of it.
What I think networks do so well are big, fun, accessible, invite everybody into the tent kinds of storytelling, akin to an early Spielberg movie or a Michael Crichton novel. That's not to say that there aren't scary parts 'cause there are, and that there aren't sexy parts and edgy parts, just like early Spielberg would have, but there's a lot of heart, a lot of emotion and complicated characters.
There are good parts and bad parts and middle parts about everybody. So what I would like to be known as is someone who was true to himself and passionate about the game.
It's not like I don't want to play the guy next door. But sometimes they're not the best written or the most complicated. But I am very, very particular about my bad boys. There are certain types of characters I will not play. I've said no so many times to so many parts that are just way too dark. You have to be careful.
I believe that the universe is one being, all its parts are different expressions of the same energy... parts of one organic whole.... (This is physics, I believe, as well as religion.) The parts change and pass, or die, people and races and rocks and stars; none of them seems to me important in itself, but only the whole. This whole is in all its parts so beautiful, and is felt by me to be so intensely in earnest, that I am compelled to love it, and to think of it as divine.
Everyone has something of beauty about them. But loving let's you look, and look, and look again. You notice the back of a hand, the turn of a head, the way of a walk. When you first love, you look blind and you see it all as the glorious, beloved whole, or a beautiful sum of beautiful parts. But when you see the one you love as pieces, as why's, you can love those parts too, and it's a love at once more complicated and more complete.
Well, my take was people of Minnesota, these are good people. They're in many ways more generous than other parts of the country. They're better educated than other parts of the country.
Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
I can finally see that all the terrible parts of my life, the embarrassing parts, the incidents I wanted to pretend never happened, and the things that make me "weird" and "different," were actually the most important parts of my life. They were the parts that made me ME.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
I find that the most interestingly written parts happen to be the bad guys.
I really like to go for the essence of things - the most beautiful parts of things - of human beings or of music. If there are things in there that are getting in the way and complicating it, it's just not good for me.
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