A Quote by Rebecca Hall

I don't think there's a single person on this planet that doesn't have a day when they feel like they're off, like they're not doing a very good job of being them. We all relate to having highs and lows. Everyone gets depressed.
We all relate to having highs and lows. Everyone gets depressed.
When you try to be a role model, not everybody can relate to some of your highs - awards, championships. But everybody can relate to the lows. Everybody's gotten fired from a job or gotten cut. People learn more about you in those lows than they do in the highs.
Everyone has highs and lows that they have to learn from, but every morning I start off with a good head on my shoulders, saying to myself, 'It's going to be a good day!'.
You've got to be able to take the highs and the lows, and certainly I am not very good at taking the lows. I'll be the first to admit it. But when the highs come your way you've got to treasure them because you never know how many more you'll get.
I still have highs and lows, just like any other person. What's missing is the lack of control over the super highs, which became destructive, and the super lows, which are immediately destructive.
Every single day, entrepreneurship has highs and lows, and you need to feel like you have a community around you. That is insanely important - to have a community of people around you lifting you up and who really know you.
Being a creative person, I want to feel the highs and the lows.
With the right outlook, you can learn to entertain yourself and entertain each other so you can enjoy doing what you're doing. There's obviously gonna be highs and lows, and the trick to it is to be able to maintain composure and stay high even when you're in the lows. That way, when you hit the highs ,it'll be twice as killer.
Growing up in a family of actors, what's great about it is that they're very supportive and they understand what it's like to be an actor - the rejections, the highs and lows... and having a common language with them is great because you have shorthand speech.
There are days where I can go into a room full of people, talk to every single person, and feel completely at ease, and feel like making every single person laugh, and feel like everyone's having a great time. There are other times where I go into a room of people, and I literally want to run and hide.
We need to undergo a very radical revolution in values. And we need to think about what it's like to have become so materialistic that we think having a good job, and consuming like crazy to compensate for the dehumanization of the job, is living like a human being.
I try to make films where the audience forgets the filmmaking and gets engrossed in the story as it unfolds. I don't want them to ever feel bored, or that they're being told what to think, or to feel depressed. I don't like films about victims - I want to celebrate brave survivors like Brenda and the wonderful women in the film.
My personal style has seen so many highs and lows. Probably more lows than highs.
Nothing is ever going to be as important or as exciting as a baby. Everyone has their highs and lows, but if you've got that one constant in your life - in my case, a baby - the highs are never going to be as big, and the lows are never going to be as bad.
I always try to make sure that the workspace that I'm in - the NBA, there's highs and lows - but I always make sure that I never let the highs and lows truly determine my true happiness as a person.
I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.
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