A Quote by Rebecca Hall

It's so rare that I get to do something in my own accent in my own hometown. — © Rebecca Hall
It's so rare that I get to do something in my own accent in my own hometown.
When I sing along with Britney Spears I will sing in an American accent. But eventually I found my own voice. My songs are so brutally honest, it would be alien to sing in any accent other than my own. Don't get me wrong - I can imitate singers. I can do bar mitzvahs and weddings.
When I say 'rare,' it's my own term. It's like you're doing something with a photo that is dominant that no one has ever seen before. #Rare means that it can only be seen here. It's just a rare moment that I'm sharing with the world.
It is rare, with people who are on television or celebrities or actors - it's rare to go to their house for a party and find they cooked. That's rare. Usually people don't cook for their own parties, and they don't buy their own gifts. There are people that do that, and that is a special thing. Those kind of little human touches are nice.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
I love rare books. Not that I own a lot of them, mind you. You couldn't quite call me a rare-book collector. But I did once work in a rare-books library, and I wrote a novel about a rare book.
My counsel to entrepreneurs is to 'own' a region, 'own' a market, 'own' a segment. Create something you can defend. Don't get hung up on the idea that you have to go national.
When I was younger, I definitely had more of a dream, as they say on 'American Idol,' that I would have my own show. I always thought that that was something that would happen, that eventually I would just get my own show because anyone who wants their own show should get their own show.
Who is there today who still cares about a well-finished death? No one. Even the rich, who could after all afford this luxury, are beginning to grow lazy and indifferent; the desire to have a death of one's own is becoming more and more rare. In a short time it will be as rare as a life of one's own.
If you're really going to uncover something as an artist, you're going to come into access with parts of your personality and your psyche that are really uncomfortable to face: your own ambition, your own greed, your own avarice, your own jealousies, and anything that would get in the way of the purity of your own artistic voice.
I've never had my own accent in a film. It's something I schedule into my preparation. That's one of my favorite things, hearing all the voices.
It feels great and it's very beautiful when you can bring someone of your own nationality into a story, where even the historic element of it is important. I loved that I could use my own accent for the character.
It’s therapy. It’s just something to do so you’re not lost in your own not-so-nice thoughts, and it’s an opportunity to think about something a lot nicer and to do something that’s with more purpose. So you do it, and you take your passion and you put a lot into it, and at some point you get recognized for it. But that recognition doesn’t mean the man is without his own demons or without his own struggles.
The amateur is very rare in French literature - as rare as he is common in our own.
People have to identify with their own stories, with their own lives, so a movie belongs to a country and to a culture. Sometimes we can share, but it's very rare.
Ad agencies do all kinds of market research that ask people what they think they want, and instead, you should be creating things that you want. If you do something and you get it, the rest of the world will get it, too. Trust your own instincts, your own intellect, and your own sense of humor.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
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