A Quote by Rebecca Hall
I'm not consciously avoiding doing a lot of period drama, but I don't really seek it out either.
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I was incredibly nervous about doing a period drama. I thought that to play period, you had to be English-looking and blonde and very well spoken, and have gone to drama school.
There was a period in my life where I went out a lot and I had a really good time. But that period is over.
I would love to do a drama. I did a couple of episodes of The Good Wife, which is more of a drama. I really liked that; I thought it was interesting. A lot of my favorite comedies play out as dramas.
When we are consciously aware of being used as broken bread and poured out wine, we have yet another level to reach - a level where all awareness of ourselves and what God is doing through us is completely eliminated. A saint is never consciously a saint - a saint is consciously dependent on God.
I think it's natural if you're doing a lot of comedy to do a lot of drama, because you have to figure out the real version of the joke.
I think its natural if youre doing a lot of comedy to do a lot of drama, because you have to figure out the real version of the joke.
I've done a lot of period drama before. A lot of my jobs have been that.
When you make music you are acting as a philosopher. You can either do that consciously or you can do it unconsciously, but you're doing it.
The idea of doing a period movie, some people say, "Isn't it odd that you're doing a period movie? That's a change of pace for you." And, I'm like, "Not really." When you're doing a science fiction movie, it's almost exactly the same.
I would like to work with Todd Phillips of 'The Hangover'. I would like to do more comedies; it would be a lot of fun. No actors in particular. I don't consciously seek out things to do.
I really wanted to do a comedy. I've done a lot of drama, and comedy was the one genre I was not being offered. So I became obsessive about getting one. I tried with two little parts in comedies that were more mainstream, I was kind of fumbling around, and then I read The Brothers Bloom and knew it was the one I wanted to jump into. Did it take adjusting? Actually, it's not really any different from doing drama.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
I think with drama, at least for me, my process, there's a lot of thought. I do a lot of back story. I listen to a lot of music. I'm very committed to a process when it comes to drama, but with comedy, I think it's really about letting loose.
Obviously, when you do something with drama and comedy in it - and by that, I mean a scene that has drama and comedy in it - you know the minute you introduce music, you're either scoring the drama or you're scoring the comedy, and therefore the scene becomes either dramatic or comedic.
I started really young, like 12 or 13, and then I started doing school plays. We had a really good drama department, so the kind of drama-geek stigma wasn't really there in my high school.
I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.
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