A Quote by Rebecca Hall

It's one thing to think about something, but it's another thing to actually feel it. — © Rebecca Hall
It's one thing to think about something, but it's another thing to actually feel it.
I feel vulnerable every day to the grace of God as expressed in every living thing. I feel vulnerable to the astonishing beauty of being alive and to Mother Nature. I feel positive when I feel vulnerable, because it's another reminder that it's not all about me and about my ego. And I actually think it's courageous to be vulnerable, and it's not something to be avoided.
As I've said many times, it's one thing to dream about something; it's another thing to experience it. It's one thing to think you're good enough; it's another thing to know you're good enough.
Hopefully with each thing that you do you're learning something, you're growing, and you're pushing yourself a little harder in some way or another. So I think you'd be in real trouble if each new thing that you create didn't feel like 'Oh, wow. I feel like I'm doing something a little different this time.
Hopefully with each thing that you do you're learning something, you're growing, and you're pushing yourself a little harder in some way or another. So I think you'd be in real trouble if each new thing that you create didn't feel like 'Oh, wow. I feel like I'm doing something a little different this time.'
I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.
It's one thing to speak about it and another to actually do something about it.
When I see someone who reads something of mine and draws something out of it that's very different from my perspective, I think that's actually cool. Sometimes it's worrisome when you feel they badly misinterpret it, but it just says that they're thinking, and they're bringing their own interpretation to bear on it. [...] That's part of the wonderful thing about putting words into the world, and if I was worried about that, I couldn't be a writer.
I have to say that I think maybe they did her a favor, and maybe she'll actually get help. Coffee's one thing, but coke is another. It's not something you want to really have as a problem in your life. I think we have to kind of stop rewarding bad behavior and actually start helping people.
I think our danger is that we talk one thing, and we feel and act another thing.
I really like individualism based on truth. That's something I try to think about. What do I actually think about that, what do I actually feel right now? As opposed what should I feel.
It's one thing to be bitter about something, but it's another thing to recognise the growth and the change that you made.
I never want to feel complacent, and I had started to, a little bit. I had started to feel like "I have this thing I can do, it's worked a few times," but not only does that get boring, but you feel stagnant and unproductive. So I was feeling a lack of creativity and motivation, so I started making a more conscious choice to grow personally. It wasn't even an image-conscious thing, like, "I don't want people to think this way about me." It was really just a way to keep myself energized and feel excited about this thing I love doing. Like I went to couples therapy or something.
And I think that a lot of people in their 20s go through that thing of, this life that I think that I was about to lead, is that actually nonsense? Is that actually something I want to do?... And so they go traveling, or they have a mad relationship, or they dye their hair or whatever.
Another thing I think about names is that they DO hurt. They hurt because we believe them. We think they are telling us something true about ourselves, something other people can see even if we don't. —Bobby Goodspeed
I think one of the successes of Gladiator is how we manage to turn on a dime the character from one thing to another where you believe he is one thing and he is something very different.
It's one thing to write the music, it's another thing to write it down, it's another thing to play it, and something else altogether again to learn how to play it. These are the elements that are fascinating, and, you know, move my world.
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