A Quote by Rebecca Hall

Whenever I'm in theatre situations I will go out of my way not to talk about my father, but in the film world I can be really proud of my family and say, 'You know what: my dad's a really, really famous theatre director,' because nobody has any idea.
Film is a much lonelier process than theatre. You really don't have any rehearsal time in film. You don't shape it together... with theatre, there is a complete kind of family atmosphere. The sociable side of this business is the theatrical side, it really isn't the film side.
It's easier to go from theatre to film than the other way round. In film you're absolutely loved and cossetted and cared for. In film your director makes your performance. In theatre you're carrying it all.
My family is not at all involved in television, or film, or theatre, or any of it, really.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
My favorite show of my father Aaron Spelling is probably a show that was his favorite and that was a show called Family. He was the most proud of that show because, you know, my dad kind of got a bad wrap, I think. A lot of times people would say oh he just makes jiggle TV and it's all for entertainment purposes. But he did some really amazing shows as well that he was really proud of, that people kind overlooked. And Family was one of them.
I don't have a preference between theatre and film; I like to do both. But I will say that there's something about theatre that is more nourishing and sustaining than film ever can be.
I love film and TV, the medium of them, just because it's such a smaller screen. It's much more precise. Ideally, I'd like to do maybe a film a year of some sort and use that to work more in the theatre because theatre really is my first love.
I grew up seeing a lot of theatre, and it was theatre that really seduced me into acting - not film or television.
Most theatre is still really bad. It has to appeal to people who do jobs and have lives. Theatre about theatre is the most awful, terminal nonsense.
When you're shooting a film, you really don't get to be a dad, and you don't really get to be a husband. You don't really exist at all. But I do drag my family with me on location whenever I can.
I was really, really, really enthusiastic as a kid. I was up for anything. I was hugely into music and theatre. I was a big musical theatre kid; I loved reading.
I love test screenings. Some directors don't, I know. But I love it. I think it's because I come from the theatre and in the theatre, previews are where you really have to listen to the audience and really feel how they're responding. I found our test screenings incredibly useful.
I crave the variety, I really do. I'd probably say standup as I think that's what I do best, if I may say so. But it can be a really self-absorbed, obsessive way to live your life, whereas doing theatre is very collaborative and creative and intense, I'd hate to miss out on that.
My dad is the way he is. He likes to talk. It's really a perfect team, because I'm not really a trash-talk kind of person. I can if I want, but I feel like I don't have to because I know I can fight.
My grandmother Shelley was an actress and would tell me about working in the theatre, while my grandpa on Dad's side, Gerard Dynevor, was a big influence in theatre and a TV director.
There are loads of sociopolitical, racial, class and future-planet situations that really interest me, but I'm not really interested in making a film about them in a film that feels like reality because people view that in a different way. I like using science fiction to talk about subjects through the veneer of science fiction.
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