A Quote by Rebecca Hall
My access point to the '70s is films from that time, and they all have that paranoiac quality.
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As I'm sure anyone who's born after the '70s' access point is - is '70s films and '70s culture and there is a kind of a paranoiac atmosphere in that time in America. Yes, it's the golden age of journalism, Watergate, and all the rest of these people making these great breakthroughs - but it's also the moment that "if it bleeds, it leads" becomes mainstream and sensationalizing the news becomes more and more the given. Checking how many numbers you're getting, whatever you can do to get more numbers.
There was a time when not many people had access to Malayalam films. So those who did have access went on to copy the films, add a few bits, and present it like it was their own.
The paranoiac is the exact image of the ruler. The only difference is their position in the world. One might even think the paranoiac the more impressive of the two because he is sufficient unto himself and cannot be shaken by failure.
For me, the stamp that I impose on stuff comes from the fact that in the '80s, when I was starting to write movies, I looked back to the '70s. So the films I enjoyed as a kid were the thrillers that came out of the '70s. Back then, you didn't have action movies; you had adventure films or thrillers.
The United States of America provides the freedom, I should say permits, allows, does not constrain the freedom that we're all born with that allows each of us to pursue whatever it is that we define as a quality of life. Access to quality-of-life services, access to quality-of-life products is unparalleled in the United States of America.
I was turning up at sets where inexperienced people were making these badly written films - but they were doing it; that was the point. They were getting their films out there. And they were paying me, so they obviously had access to money. I just thought, 'I can make something better than this.'
At some point in time, in the future, people are going to refer to the Step Up films as the films they grew up on. Hopefully, that inspires them to get in dance films that are being made.
If you take the '70s with Blaxploitation pictures, there was a proliferation of black-content films and motion pictures, television, stage plays and so forth at a time when Hollywood was in trouble financially, and it was cheaper to do black films to keep the lights on until they could reestablish themselves.
A large number of students around the world don't really have access to high quality education. So, launching EdX allows students all over the world to have much better access to a high quality education from a university such as Harvard, MIT, Berkeley and others as we add more universities.
From the consumer point of view, there may be questions about whether you'll have to be an AOL subscriber to get Time magazine, ... That combination of media with the access is one through which you may be able to block access to your competitors' subscribers.
I was at the radio station all the time and on the air all the time. I met John Travolta and a lot of the other big '70s icons. Shaun Cassidy sang 'Da Do Ron Ron' to me onstage. I thought I was a rock star; I had an all-access-pass childhood.
When I moved to Paris in the '70s, there wasn't very much going on in film in England. So when I started doing French films, there was a natural movement toward the kind of films I wanted to do. It wasn't the reason I came, but it so happened that I stepped into a time and place that actually corresponded to what I wanted. That sometimes happens in life. And it was rather beautiful.
I built up a knowledge of 1960s and '70s British films because my dad used to work nights, and I'd sit up with my mum and watch films - 'How I Won the War' and the films of Richard Lester, Karel Reisz and John Schlesinger.
I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
In the 70s, GEORGE CLINTON and PARLIAMENT FUNKADELIC and EARTH WIND & FIRE, we were very serious about our music and who we were trying to touch. I think that's why the music of the 70s has not died - because it has a rejuvenating quality to it.
One of the things about the '70s films I love - the films 'Nightcrawler' is being compared to, like, 'Taxi Driver' - is that they never put their flawed characters into any one box.
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