A Quote by Rebecca Hall
I've just started to get really envious when I go into people's houses and see books on a shelf.
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For me what was amazing was consumerism of people survived after Katrina. You see in a yard that the SUV is gone but they left the Ferrari or the more expensive car because it just wasn't practical. They couldn't get all their stuff in it. So you see this beautiful car totally destroyed; motorcycles. You walk into these houses - we were with the New Orleans police when they would go into the houses - we'd go through these houses and we were just amazed at how much stuff that had been accumulated and how much was left behind.
As far as this categorization of books, the way I see it is there are really a hundred-odd categories of books plus one, and on the top shelf at home, I've got the books I love, my favorite books, and that's the type of book that I want to write.
Antisthenes used to say that envious people were devoured by their own disposition, just as iron is by rust. Envy of others comes from comparing what they have with what the envious person has, rather than the envious person realising they have more than what they could have and certainly more than some others and being grateful. It is really just an inability to get a correct perspective on their lives.
I started writing books because I couldn't find the books I wanted to read on the shelf.
Pray be always in motion. Early in the morning go and see things; and the rest of the day go and see people. If you stay but a week at a place, and that an insignificant one, see, however, all that is to be seen there; know as many people, and get into as many houses as ever you can.
Books can be passed around. They can be shared. A lot of people like seeing them in their houses. They are memories. People who don't understand books don't understand this. They learn from TV shows about organizing that you should get rid of the books that you aren't reading, but everyone who loves books believes the opposite. People who love books keep them around, like photos, to remind them of a great experience and so they can revisit and say, "Wow, this is a really great book."
One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones."
We have a generation of kids who may never see a bookshelf or never see books in houses. What are they going to think about books? How will books become meaningful in their lives except as yet another form of digitalized content? A book is not just digitalized content.
I'm such an old fart that I started buying books on film and TV and radio and music when, for television, the entire shelf of books was only a couple of them. You go into the '70s before you start getting books on TV that you start wanting to collect. And by the time that you get to something like the Brooks and Marsh book it's invaluable. My house got hit by lightning in 1989 and burned down. And I got more than a half dozen Brooks and Marsh books sent to me by friends immediately, as though that's what you need more than clothes or food. That's how treasured that book was.
The letters I get on the Internet and the responses to my books make it very clear that something is trying to happen. And I'm just one person. There are millions of people really ready to go. We're just not sure where to go yet.
One summer I was homeless in L.A., when I was about fifteen, and I used to go to the library to get books. I would have books in abandoned cars, in the seats, cubby holes on the L.A. River, just to have books wherever I could keep them, I just loved to have books. And that really helped me. I didn't realize it was going to be my destiny; I didn't know I was going to be a writer.
There were two sets of double doors leading out of the antechamber, one marked STACKS and the other TOMES. Not knowing the difference between the two, I headed to the ones labeled STACKS. That was what I wanted. Stacks of books. Great heaps of books. Shelf after endless shelf of books.
I grew up in Zimbabwe in Southern Africa, and I moved to London when I was 17. And I started commuting and, actually, to go to college. And I used to really enjoy that part of my journey where the - it was actually a Tube train, but it was over ground, and it went right past the backs of people's houses, and I could actually see right in.
The way that the stories go in the Snicket books is just the way stories naturally go to me. They're full of misery, and yet the misery ends up being slightly hilarious. And in terms of the warnings on the back of the books, that really started as an honest assessment of their marketability.
It's just really cool to go to countries and play festivals for people who don't really know your band or don't ever get to see it. It's really nice.
It's funny, we started writing chick-lit when it was just becoming a crowded marketplace, and now the same thing is happening with YA. It really used to just be one shelf at the library - Nancy Drew and Judy Blume.
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