A Quote by Rebecca MacKinnon
Increasingly, people have very little tolerance for anything that smacks of propaganda.
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Propaganda's content increasingly resembles information. It has even clearly been proved that a violent, excessive, shock-provoking propaganda texts leads ultimately to less conviction and participation. The listeners critical powers decrease if the propaganda message is more rational and less violent.
The United States has its own propaganda, but it's very effective because people don't realize that it's propaganda. And it's subtle, but it's actually a much stronger propaganda machine than the Nazis had but it's funded in a different way.
The United States has it's own propaganda, but it's very effective because people don't realize that it's propaganda. And it's subtle, but it's actually a much stronger propaganda machine than the Nazis had but it's funded in a different way.
A war film can be propaganda and they're very valuable as propaganda, as we realized in Britain in the Second World War. Film as propaganda is a very valuable tool. It can also demonize, which is the dangerous side of a war film as propaganda. But there are war films that are not propaganda. It's just saying 'This is what it's like.' For 99 percent of us we don't know what it's like. We have no idea. So to reveal that to the audience is powerful.
I hate political films that have one particular message that they're trying to convey. I think propaganda is very dangerous, and it's very easy for anything to slip into it. I also think that propaganda is something that defies the identity of cinema. I hate propaganda in cinema, even if it was promoting the political stance that I myself am allied with. I always say that the responsibility of a film is first and foremost: To be a film. It's not a manifesto, it's not an op-ed.
While religious tolerance is surely better than religious war, tolerance is not without its liabilities. Our fear of provoking religious hatred has rendered us incapable of criticizing ideas that are now patently absurd and increasingly maladaptive.
People who treat waitresses or waiters rudely - or taxi drivers - I have very little tolerance for those people. They work really hard. They deserve courtesy and respect.
Propaganda has a negative connotation, which it partially deserves, but I think there is some propaganda that is very positive. I feel that if you can do something that gets people's attention, then maybe they'll go and find out more about the person.
Arrogance - I have very little tolerance for that.
I think in terms of being a New Yorker, as my friends would say, I don't take a lot of mess. I have no tolerance for people who are not thinking deeply about things. I have no tolerance for the kind of small talk that people need to fill silence. And I have no tolerance for people not - just not being a part of the world and being in it and trying to change it.
The Left is my family. And it is threatened by terrible demons, like differentialism. "differentialist Left" are people who have learned nothing about tolerance. Or justice. People who, hiding behind a backward sense of tolerance and justice, explain to us that we must accept all the actions of all civilizations, including the stoning of adulterous wives or the mutilation of little girls.
When you cry, you don't look very attractive; you look snotty and blotchy. People seem to manage to cry quite prettily these days, and to me, that smacks of not being very genuine.
Unlimited tolerance must lead to the disappearance of tolerance. If we extend unlimited tolerance even to those who are intolerant, if we are not prepared to defend a tolerant society, then the tolerant will be destroyed, and tolerance with them. We should therefore claim, in the name of tolerance, the right not to tolerate the intolerant.
Valentino Garavani is never really shown himself as anything other than this gracious diplomat of the dolce vita. That's his preferred look. But he's a temperamental genius - a man of cyclone force, passion, and perfectionist impulses who has very little tolerance for things that aren't exactly as he wants them to be.
All art is propaganda. It is universally and inescabably propaganda; sometimes unconsciously, but often deliberately, propaganda.
It is arguable that the success of business propaganda in persuading us, for so long, that we are free from propaganda is one of the most significant propaganda achievements of the twentieth century.
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